所谓Stephanos运动员的大理石雕像 - 美国大都会艺术博物馆展品查阅

品名（中）	所谓Stephanos运动员的大理石雕像
品名（英）	Marble statue of the so-called Stephanos Athlete
入馆年号	1962年，62.4
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者
创作年份	公元前 25 - 公元 100
创作地区
分类	石雕（Stone Sculpture）
尺寸	高: 43 1/4 英寸 (109.9 厘米)
介绍（中）	这个年轻人的形象是罗马上层阶级获得的雕塑类型中最著名的例子之一，他们试图以一种唤起最近被征服的东地中海希腊化王国的复杂和文化的方式来装饰自己的私人别墅。雅典和罗马的希腊雕塑家可以或多或少地提供过去著名雕像的精确复制品，以及模仿或结合各种早期希腊风格的新作品。Stephanos青年就是这样一个组合：极其宽阔的肩膀和姿势让人想起了公元前五世纪下半叶的男性雕像，而小头和长腿则源于希腊著名雕塑家Lysippos在公元前四世纪中期创作的作品。肉的柔软造型出现在四世纪另一位著名雕塑家Praxiteles的雕像中，以及公元前三世纪和公元前二世纪的希腊化雕塑中。这尊雕像一定很受欢迎，因为今天已知的古代复制品超过17件。这显然是公元前一世纪中期希腊雕塑家帕西泰莱斯的罗马工作室中的典型雕塑。许多罗马作家对Pasiteles发表了评论，我们有一位罕见的雕塑家的签名，由他的学生Staphanos在这件作品的最完整的例子上签名，这件作品现在在罗马的Villa Albani。
介绍（英）	This figure of a youth is one of the best-known examples of the type of sculpture acquired by the Roman upper classes, who sought to decorate their private villas in a way that evoked the sophistication and culture of the recently subdued Hellenistic kingdoms of the eastern Mediterranean. Greek sculptors in Athens and Rome itself could provide more or less exact replicas of well-known statues from the past as well as new creations that imitated or combined various earlier Greek styles. The Stephanos Youth is such a combination: The extremely broad shoulders and the stance bring to mind male statues of the second quarter of the fifth century B.C., while the small head and long legs derive from works created in the mid-fourth century B.C. by the famous Greek sculptor Lysippos. The soft modeling of the flesh is found in the statues of Praxiteles, another famous sculptor of the fourth century, as well as in Hellenistic sculpture of the third and second centuries B.C. A new creation resulted from these learned, eclectic combinations. The statue must have been very popular, for over seventeen ancient copies are known today. It was apparently typical of the sculpture available in the Roman workshop of the Greek sculptor Pasiteles, during the mid-first century B/C. A number of Roman writers commented on Pasiteles, and we have a rare sculptor’s signature by Staphanos, his pupil, on the most complete example of this work, which is now in the Villa Albani, Rome.