[沙特尔大教堂北门廊上的大人物] - 美国大都会艺术博物馆展品查阅

品名（中）	[沙特尔大教堂北门廊上的大人物]
品名（英）	[Large Figures on the North Porch, Chartres Cathedral]
入馆年号	1990年，1990.1130
策展部门	摄影（Photographs）
创作者	Henri-Jean-Louis Le Secq【1818 至 1882】【法国人】
创作年份	公元 1852
创作地区
分类	照片（Photographs）
尺寸	32.8 x 22.1 厘米 (12 15/16 x 8 11/16 英寸)
介绍（中）	从大教堂游客的眼睛水平斜向看，亨利·勒塞克照片中的大门雕塑似乎脱离了石头支撑。人物的身体通过清晰的焦点以及他们在阴影柱和模糊的移动树叶之间的位置而变得生动起来。勒塞克对法国大教堂的启发性摄影赢得了评论界的赞扬和政府的支持，因为他展示了新媒体提供详细准确记录的能力。这张拍摄于1852年的照片也是一首雄辩的诗，讲述了时间的流逝和艺术的生活，这些想法在一个坚持碎片浪漫主义观念的时代引起了共鸣，即使它开始了考古调查和修复。这种建筑摄影中客观与个人的融合，使亨利·勒塞克成为法国一小群摄影师中的核心人物，他们开创了新媒体的美学。
介绍（英）	Seen obliquely from the eye level of a cathedral visitor, the portal sculptures in Henri Le Secq's photograph appear disengaged from their stone support. The figures' corporeality is animated by sharp focus and by their position between shadowed columns and a blur of moving foliage. Le Secq's inspired photography of French cathedrals won critical praise and government support, because he demonstrated the new medium's capacity to provide detailed and accurate records. This photograph, made in 1852, is also an eloquent poem about the passage of time and the life of art, ideas resonant in an age that clung to Romantic notions of the fragment even as it embarked on archaeological investigation and restoration. This melding of the objective and the personal in architectural photography made Henri Le Secq a central figure in the small group of French photographers who pioneered the aesthetics of the new medium.