[斜倚女性裸体] - 美国大都会艺术博物馆展品查阅

品名（中）	[斜倚女性裸体]
品名（英）	[Reclining Female Nude]
入馆年号	1993年，1993.69.1
策展部门	摄影（Photographs）
创作者	Julien Vallou de Villeneuve【1795 至 1866】【法国人】
创作年份	公元 1851 - 公元 1855
创作地区
分类	照片（Photographs）
尺寸	图像: 11.8 x 16.0 厘米 (4 5/8 x 6 5/16 英寸)
介绍（中）	瓦卢是画家让·弗朗索瓦·米勒的学生，也是 1820 年代和 1830 年代日常生活、服装和情色场景的平版画家，据报道，瓦卢在 1840 年代初开始摄影，但他的早期照片尚未确定。也许他们描绘的是裸体女性，承认作者身份是不恰当的主题。然而，在1851年至1855年间，瓦卢制作了一系列女性裸体照片，他将这些照片作为艺术家的模特进行销售（并合法注册）。瓦卢的裸体长期以来一直与古斯塔夫·库尔贝（Gustave Courbet）的裸体有关，古斯塔夫·库尔贝（Gustave Courbet）在绘画过程中使用了照片。虽然没有绝对的一对一对应关系，但瓦卢模特的沉重催眠品质与库尔贝的裸体概念非常接近，这里展示的斜倚人物在姿势上与画家的《鹦鹉的女人》（1866 年）惊人地相似，在画廊展出的 19 世纪绘画。
介绍（英）	A student of the painter Jean François Millet and a lithographer of scenes of daily life, costume, and erotica in the 1820s and 1830s, Vallou reportedly took up photography in the early 1840s, but his early photographs have not been identified. Perhaps they depicted naked women, a subject for which it was improper to acknowledge authorship. Between 1851 and 1855, however, Vallou made a series of photographs of female nudes that he marketed (and legally registered) as models for artists. Vallou’s nudes have long been associated with those of Gustave Courbet, who is known to have used photographs in his painting process. Although no absolute one-to-one correspondence can be pointed to, the heavy soporific quality of Vallou’s models is very close to Courbet’s concept of the nude, and the reclining figure displayed here is strikingly similar in pose to the painter’s Woman with a Parrot (1866), on view in the galleries for nineteenth-century painting.