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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)马鞍的三块鞍板
品名(英)Three Pommel Plates of a Saddle
入馆年号1929年,29.158.624
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1495 - 公元 1575
创作地区原产国: 德国(Country of Origin: Germany)
分类马术设备鞍座(Equestrian Equipment-Saddles)
尺寸长 24 1/4 英寸 (61.5 厘米); 宽 6 英寸 (15.2 厘米); 重 2 盎司 (950 g)
介绍(中)这套鞍甲板代表了一种基本类型的特殊变体,从对比实例的幸存数量来看,这种变体似乎相当普遍。这种特殊形式的特点是中央鞍板由一个扁平椭圆形的顶部部件组成,其下有一个盒子或刻面底座,刻面融合到一个倒角凹槽中,该凹槽在每个侧板顶部附近以一条尖锐的向上曲线结束。这种特殊类型的其他例子包括大都会博物馆的另外两块鞍板(编号14.25.1643和29.158.398)。

在一个密切相关且显然更常见的变体中,除了上述其他特征外,鞍板的顶部边缘中心还有一个凸起的凹槽。这种类型的例子包括纽伦堡为莱茵河的帕拉廷伯爵(Ottheinrich,1502-1559)(Wallace Collection,伦敦,A29,鞍,1532年;Musée de l’Armée,巴黎,G.40,人的盔甲,1533年)制作的两件精心制作的人和马盔甲的马鞍;Kienbusch收藏的Radziwill军械库的合成马盔甲上的马鞍(费城艺术博物馆,1977-167-21);以及大都会博物馆的另外两块鞍甲板(不是一套的一部分)(29.66,29.158.383)。

在另一种变体中,扁平的椭圆形鞍甲仍然有一个刻面底座,但刻面没有延伸到侧板上。这种类型的例子包括约1540年由因斯布鲁克的约尔格·塞森霍费尔为特拉普家族的一名成员,可能是雅各布六世伯爵(Churburg Castle Armory,Shluderns,Italy,100)制作的盔甲装饰物的马鞍,以及一个约1530-40年的马鞍,与因斯布鲁克的Konrad Seusenhofer(Landeszeughaus Graz,1401a)的完整马甲有关

然而,两个非常不寻常的装饰特征区分了这里所示的鞍甲板。最重要的是四个掌叶,由泪滴状的叶片喷出,浮雕在高浮雕上。浮雕掌纹以这种方式使用的最重要的例子出现在上述Jörg Seusenhofer盔甲装饰上,其中突出的浮雕掌纹出现在人的盔甲、马的盔甲和鞍钢上。第二个特征是侧板上的双重边界,虽然更微妙,但却与众不同。它由一个大的绳索外缘组成,旁边是一个平坦的凹陷带,一个较窄的凸起绳索脊,然后是另一个平坦凹陷带。这种凸起的掌纹和双边框的独特组合一定被用于匹配但已不复存在的斜板上。这将完成一套鞍座钢。也有可能,就像丘尔堡的装饰一样,鞍钢最初是一件完整的人和马盔甲的一部分,用棕榈和双边框的组合装饰。然而,目前还没有发现这种盔甲的进一步碎片。
介绍(英)This set of pommel plates represents a particular variation on a basic type that appears to have been fairly widespread, judging from the surviving numbers of comparative examples. This specific form is characterized by a central pommel plate consisting of a top piece in the shape of a flattened oval, beneath which there is a boxed or faceted base, with the facets merging into a chamfered recess that ends in a sharp, upward curve near the top of each sideplate. Additional examples of this particular type include two other pommel plates in the Metropolitan Museum (acc. nos. 14.25.1643, and 29.158.398).

In a closely related and apparently more common variant, the pommel plate has a raised notch embossed at the center of its top edge, in addition to the other features described above. Examples of this type include the saddles belonging to two elaborate armors for man and horse made in Nuremberg for Ottheinrich (1502–1559), Count Palatine of the Rhine (Wallace Collection, London, A29, saddle dated 1532, and Musée de l'Armée, Paris, G.40, the man's armor dated 1533); the saddle on a composite horse armor from the Radziwill armory in the Kienbusch Collection (Philadelphia Museum of Art, 1977-167-21; and two more pommel plates (not part of a set) in the Metropolitan Museum (29.66, 29.158.383).

In another variant, the flattened oval pommel still has a faceted base, but the facets do not extend onto the sideplates. Examples of this type include the saddle of an armor garniture made about 1540 by Jörg Seusenhofer of Innsbruck for a member of the Trapp family, probably Count Jacob VI (Churburg Castle Armory, Shluderns, Italy, 100), two other saddles in Churburg (255, 256), and a saddle of about 1530–40 associated with a complete horse armor attributed to Konrad Seusenhofer of Innsbruch (Landeszeughaus Graz, 1401a).

Two very unusual decorative features, however, distinguish the set of pommel plates illustrated here. Foremost are the four palmettes, made up of sprays of teardrop-shaped lobes embossed in high relief. The most important example of embossed palmettes being used in this way occurs on the Jörg Seusenhofer armor garniture mentioned above, in which prominently embossed palmettes appear on the man's armor, the horse's armor, and the saddle steels. The second feature, more subtle but nevertheless distinctive, is the double border found on the sideplates. This consists of a large, roped outer edge, next to which are a plain sunken band, a narrower raised roped ridge, and then another plain sunken band. This unique combination of the raised palmettes and the double border must have been used on the matching but no longer extant cantle plates. which would have completed the set of saddle steels. It is also possible that, as in the Churburg garniture, the saddle steels originally were part of a complete armor for man and horse decorated with this combination of palmettes and double borders. However, no further pieces of such an armor have been identified.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。