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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)猛禽
品名(英)Rapier
入馆年号1973年,1973.27.3
策展部门武器和盔甲Arms and Armor
创作者Pietro de Formicano【1575 至 1625】【意大利人】
创作年份公元 1585 - 公元 1645
创作地区原产国: 意大利, 贝卢诺(Country of Origin: Italy, Belluno)
分类(Swords)
尺寸长 47 1/16 英寸 (119.5 厘米); 长 of blade 40 1/2 英寸 (102.9 厘米); 宽 9 英寸 (22.9 厘米); 重 2 磅 10 oz (1190 g)
介绍(中)柄为黑铁材质,由一个上面有扁平按钮的卵形鞍部、一个指节护板、两个向圆形尖端略微扩展的羽管、柄臂和两个侧环组成,上部侧环通过一个短的对角分支连接到指节护架。椭圆形截面的木制把手用扭曲编织的铁丝捆扎。护卫队的树枝上刻着高高的浮雕,上面有许多小小的战斗战士,四十二人骑马,四十四人步行,其中一些人穿着罗马盔甲,另一些人裸体。在一些地区,人物背后的背景中出现了微弱的景观细节,从残留的黄金痕迹来看,整个背景显然曾经是镀金的。鞍马上雕刻着骑兵和步兵的雕像,背景是立柱和拱门。大型风格化的棘叶装饰着手臂和侧环的底部,指节护板、羽管和手臂的背面刻有风格化的水果和树叶。内护板由圆形截面的三个分支组成,是平面的

菱形截面的双刃剑每侧都凿有四个几乎延伸到尖端的深沟。这些凹槽以装饰性的重复图案穿孔和开缝。矩形截面的平面ricasso以装饰性的雕刻字母刻在内侧PIETRO DE和外侧FORMICANO上。在里卡索号狭窄的前缘上,有一个部分被抹去的标记,一个长方形包围着一个由字母F.G.D.T.组成的复杂花押字,上面是托斯卡纳大公的王冠

这把剑的剑柄是十六世纪末和十七世纪初一组引人注目的剑柄之一,剑柄的鞍部和护板上刻有许多微小的数字。一些最好的例子保存在德累斯顿的前皇家撒克逊军械库(现为Kunstsammlungen体育场),在那里它们被称为意大利人。在没有任何文件支持这一归属的情况下,可以相反地指出,警卫后部风格化的树叶与德国剑上的图案非常相似,尤其是16世纪最后十年德累斯顿的铁凿匠Othmar Wetter制作的剑(Staatliche Kunstsammlungen,前inv.no。E.228)。因此,这里提出了这个刀柄的德语——可能还有撒克逊——的归属

利卡索刀片上的铭文指的是17世纪之交在威尼斯北部贝卢诺工作的著名刀片师之一Pietro de Formicano。奥德斯卡基收藏的一把剑,现藏于罗马威尼斯宫,刀刃上用几乎相同的字母刻着这位铁匠的名字,日期为1603年。博西亚和科埃略(见参考文献)已将里卡索上的冠上花押字确定为托斯卡纳大公费迪南多·德·美第奇(1621–70年在位)的所有权标志,这也出现在佛罗伦萨巴杰罗保存的前美第奇军械库的其他武器上。这把剑,或者至少是它的刀刃,显然曾经是著名的美第奇军械库的一部分,该军械库一直存放在乌菲齐,直到1780年代被分散。
介绍(英)The hilt is of blackened iron and consists of an ovoid pommel surmounted by a flattened button, a knuckle guard, two quillons slightly expanding toward rounded tips, arms of the hilt, and two side rings, the upper one connected to the knuckle guard by a short diagonal branch. The wooden grip of oval section is bound with twisted and braided iron wire. The branches of the guard are chiseled in high relief with a multitude of tiny battling warriors, forty-two on horseback and forty-four on foot, some of them dressed in Roman armor, others nude. In some areas faint landscape details are present in the background behind the figures and judging from the traces of gold that remain, the entire background was apparently once gilt. The pommel is chiseled with cavalry and infantry figures against a monumental architectural background of columns and arches. Large stylized acanthus leaves decorate the bases of the arms and side rings, and the backs of the knuckle guard, quillons, and arms are chiseled with stylized fruit and foliage. The inner guard, formed of three branches of circular section, is plain.

The double-edged blade of diamond-shaped section is chiseled on each side with four deep grooves extending almost to the tip. These grooves are pierced with holes and slits in a decorative repeat pattern. The flat ricasso of rectangular section is inscribed on the inner side PIETRO DE, and on the outer side FORMICANO, in decoratively engraved letters. On the narrow front edge of the ricasso is a partially obliterated mark, a rectangle enclosing what appears to be a complex monogram formed of the letters F.G.D.T. and surmounted by the crown of the grand dukes of Tuscany.

The hilt of this rapier is one of a conspicuous group of late sixteenth- and early seventeenth-century hilts chiseled with numerous minute figures on the pommels and guards. Some of the finest examples are preserved in the former Royal Saxon Armory (now the Staatliche Kunstsammlungen) in Dresden, where they are called Italian. In the absence of any documentation to support this attribution, it may be pointed out to the contrary that the stylized foliage on the rear of the guards is very similar to motifs found on German swords, particularly one made by the iron-chiseler Othmar Wetter in Dresden in the last decade of the sixteenth century (Staatliche Kunstsammlungen, formerly inv. no. E.228). A German––and possibly Saxon––attribution is thus suggested here for this hilt.

The inscription on the ricasso of the blade refers to Pietro de Formicano, one of the famous bladesmiths working in Belluno, north of Venice, at the turn of the seventeenth century. A sword from the Odescalchi Collection, now in the Palazzo Venezia, Rome, has a blade inscribed with this smith's name in almost identical lettering, and bears the date 1603. The crowned monogram on the ricasso has been identified by Boccia and Coelho (see bibliography) as the ownership mark of Ferdinando de' Medici, Grand Duke of Tuscany (reigned 1621–70), which is also found on other arms from the former Medici armory now preserved in the Bargello, Florence. This sword, or at least its blade, apparently once formed part of the famous Medici armory which was housed in the Uffizi until its dispersal in the 1780s.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。