[纽黑文鱼妇] - 美国大都会艺术博物馆展品查阅

品名（中）	[纽黑文鱼妇]
品名（英）	[Newhaven Fishwives]
入馆年号	1997年，1997.382.19
策展部门	摄影（Photographs）
创作者	Hill and Adamson【1843 至 1848】【英国、苏格兰人】
创作年份	公元 1843 - 公元 1847
创作地区
分类	照片（Photographs）
尺寸	29.5 x 21.7 厘米 (11 5/8 x 8 9/16 英寸)
介绍（中）	画家希尔和摄影师亚当森是最早制作大量自觉艺术照片的人之一，他们在短暂但多产的合作中拍摄了数百幅伦勃朗肖像。这张照片是该团队在纽黑文和爱丁堡附近的其他小但重要的渔村拍摄的第一个社会纪录片项目的一部分。由于他们早期的论文否定过程无法记录海上的渔民，希尔和亚当森转而关注纽黑文的渔民妻子；这些妇女穿着传统的条纹围裙和羊毛衬裙，在鱼线上下鱼饵，卸下并清洗渔获物，将满载的柳条篮子拖上山去爱丁堡，并用锚链拴起他们的鱼。在工业革命及其伴随的社会问题的时代，希尔和亚当森将纽黑文描述为一个模范社区，它受到传统、诚实劳动和相互支持的品质的约束，这些品质通过精心的人物造型以及媒介本身的图形力量和坚韧效果得到了强调这幅罕见的大幅面印刷品和博物馆获得的其他25幅保存精美的照片是希尔挑选的最优秀的作品之一，并在1852年将其汇集成相册，提交给苏格兰皇家学院。
介绍（英）	Among the first to produce a large body of self-consciously artistic photographs, the painter Hill and the photographer Adamson are best known for the hundreds of Rembrandtesque portraits made during their brief but prolific partnership. This image is part of a social-documentary project—the first in photography—that the team carried out in Newhaven and other small but vital fishing towns near Edinburgh. Because their early paper-negative process could not record the fishermen at sea, Hill and Adamson focused instead on Newhaven's fishwives; dressed in traditional striped aprons and woolen petticoats, the women baited lines, unloaded and cleaned the catch, hauled the laden willow baskets up the hill to Edinburgh, and hawked their fish. In the age of the Industrial Revolution and its attendant social problems, Hill and Adamson presented Newhaven as a model community bound by tradition, honest labor, and mutual support—qualities emphasized by the careful posing of figures and by the graphic strength and gritty effect of the medium itself. This rare large-format print and twenty-five other exquisitely preserved photographs acquired by the Museum were among those that Hill selected as his finest achievements, assembled in albums, and presented to the Royal Scottish Academy in 1852.