里沃克斯修道院 - 美国大都会艺术博物馆展品查阅

品名（中）	里沃克斯修道院
品名（英）	Rievaulx Abbey
入馆年号	1999年，2005.100.7
策展部门	摄影（Photographs）
创作者	Roger Fenton【1819 至 1819】【英国人】
创作年份	公元 1854
创作地区
分类	照片（Photographs）
尺寸	图像: 35.7 x 29.8 厘米 (14 1/16 x 11 3/4 英寸) Mount: 40.3 x 34.5 厘米 (15 7/8 x 13 9/16 英寸)
介绍（中）	从1854年起，芬顿多次访问约克郡伟大的喷泉和里沃克斯西多会修道院。Rievaulx的历史可以追溯到1230年，以其建筑的纯度而闻名，只有耳堂和早期哥特式合唱团的一部分仍然存在。芬顿为他的有利位置选择了圣坛窗户的高处，这样他的镜头就可以包围合唱团柱子的雄伟游行，并通过耳堂的大拱门框住乡村景色的宜人混乱。为了增强哥特式建筑与其遗址之间的关系，芬顿在清晨的太阳将清晰地勾勒出右侧三角形的底部，将其与远处山丘的轮廓对齐时拍摄了这一景色。芬顿在这里没有提供对建筑的考古或风景如画的描述，而是试图在大自然的宏伟和历史的重量中传达场景的静止、围墙的广阔和个人的渺小。这位年轻女子是芬顿的妻子格蕾丝，她是 Rievaulx 所有照片中观众的替身，她的存在对规模感知至关重要。
介绍（英）	From 1854 onward, Fenton made repeated visits to the great Cistercian abbeys of Fountains and Rievaulx, in Yorkshire. Of Rievaulx, dating to 1230 and renowned for the purity of its architecture, only parts of the transept and the early Gothic choir remain. Fenton chose for his vantage point an elevated position in the chancel window so that his lens could encompass the majestic procession of the choir pillars, and frame through the grand arch of the transept the pleasant disorder of the rural view. To enhance the relation between the Gothic structure and its site, Fenton photographed the view at the precise moment when the morning sun would sharply delineate the base of the triforium on the right, aligning it with the contour of the distant hill. Rather than offering an archaeological or picturesque description of the architecture, Fenton here attempts to convey the stillness of the scene, the vastness of the enclosure, and the smallness of the individual amid the grandeur of nature and the weight of history. The young woman, who serves as a stand-in for the viewer in all the Rievaulx pictures and whose presence is essential to the perception of scale, is Fenton's wife, Grace.