码头和游泳池，在条纹下方 - 美国大都会艺术博物馆展品查阅

品名（中）	码头和游泳池，在条纹下方
品名（英）	Wharfe and Pool, Below the Strid
入馆年号	1999年，2005.100.8
策展部门	摄影（Photographs）
创作者	Roger Fenton【1819 至 1819】【英国人】
创作年份	公元 1854
创作地区
分类	照片（Photographs）
尺寸	图像: 34.5 x 28.2 厘米 (13 9/16 x 11 1/8 英寸) Mount: 56.8 x 44.9 厘米 (22 3/8 x 17 11/16 英寸)
介绍（中）	在芬顿时代，约克郡的Wharfe河是游客的最爱。博尔顿修道院（被称为博尔顿修道院）坐落在俯瞰河流的海角上，这激发了特纳的灵感，并受到了罗斯金的赞扬。芬顿可能是在1854年第一次穿越约克郡的摄影探险中拍摄到这张照片的。1855年1月，在摄影学会的年度展览上，他展示了自己对博尔顿及其周边地区的看法，以及喷泉和里沃克斯的看法。这些照片使他成为建筑和风景摄影大师<勇敢地面对太阳，芬顿选择将镜头聚焦在河流的那一部分，在那里，水流在穿过几英尺宽的岩石通道Stride的湍流通道后，速度减慢，沉淀在水池中。他模仿特纳，用光来构思他的主题，在这里，光被困在河岸之间，将天空和水连成一片。与特纳的画作一样，芬顿的人物主要是为了使前景生动起来。这位摄影师会在其他风景中寻求类似的绘画效果，但这张照片，以其微弱的调制而成的空旷，仍然是他最激进的作品之一。
介绍（英）	The river Wharfe in Yorkshire was a favorite with tourists in Fenton's time. The setting of Bolton Priory (known as Bolton Abbey) on a promontory overlooking the river inspired Turner and was praised by Ruskin. Fenton may have made this image on his first photographic expedition through Yorkshire in 1854. He showed his views of Bolton and its surroundings, together with those of Fountains and Rievaulx, at the annual exhibition of the Photographic Society in January 1855. These photographs established him as a master of architectural and landscape photography. Boldly facing into the sun, Fenton chose to focus his lens on that part of the river where the water, after rushing through the turbulent pass of the Stride, a rocky channel a few feet wide, slows down and settles into a pool. Emulating Turner, he conceived of his subject in terms of light, here light trapped between the banks of the river, uniting sky and water in a continuous flow. As in the paintings of Turner, Fenton's figures are present mainly to animate the foreground. The photographer would seek similar painterly effects in other landscapes, but this image, with its faintly modulated expanse of airy emptiness, remains one of his most radical.