[坐着的女性裸体] - 美国大都会艺术博物馆展品查阅

品名（中）	[坐着的女性裸体]
品名（英）	[Seated Female Nude]
入馆年号	1999年，2005.100.41
策展部门	摄影（Photographs）
创作者	Eugène Durieu【1800 至 1874】【法国人】
创作年份	公元 1853 - 公元 1854
创作地区
分类	照片（Photographs）
尺寸	图像: 6 13/16 × 4 11/16 英寸 (17.3 × 11.9 厘米) Mount: 13 13/16 × 10 9/16 英寸 (35.1 × 26.9 厘米)
介绍（中）	杜里厄是法国的一名律师，也是摄影的早期倡导者和实践者，他在 1853-54 年间对裸体和古装人物进行了一系列摄影研究，作为艺术家的模特。法国浪漫主义画家欧仁·德拉克洛瓦（Eugène Delacroix）帮助他摆出人物的姿势，后来称赞他素描的版画是"自然自由设计的明显示范"。虽然画家将现实的准确转录视为摄影的美德，但杜里厄知道，一张好的照片不仅仅是正确使用媒介的结果，更重要的是，是摄影师气质和视觉的表达。在一篇重要的文章中，他强调了摄影中复杂操作的解释性，并解释说摄影师必须预先想象他的结果，以便制作"照片"，而不仅仅是"复制品"。这张照片证明了杜里厄的观点：通过帷幔的优雅轮廓、肉体的流畅造型以及姿势的优雅和克制，这幅画达到了一种艺术姿态，将德拉克洛瓦的性感与安格尔的古典主义相结合，并两者相媲美。
介绍（英）	Durieu was a lawyer and early advocate and practitioner of photography in France who, in 1853–54, made a series of photographic studies of nude and costumed figures as models for artists. The French Romantic painter Eugène Delacroix helped him pose the figures and later praised the prints, from which he sketched, as "palpable demonstrations of the free design of nature." While the painter saw the accurate transcription of reality as a virtue of photography, Durieu knew that a good photograph was not simply the result of the correct use of the medium but, more significantly, an expression of the photographer’s temperament and vision. In an important article he emphasized the interpretative nature of the complex manipulations in photography and explained that the photographer must previsualize his results so as to make a "picture," not just a "copy." This photograph proves Durieu’s point: through the elegant contours of the drapery, the smooth modeling of the flesh, and the grace and restraint of the pose, the picture attains an artistic poise that combines Delacroix’s sensuality with Ingres’s classicism, and rivals both.