[包含与大仲马有关的照片、版画、素描和出版物的相册] - 美国大都会艺术博物馆展品查阅

品名（中）	[包含与大仲马有关的照片、版画、素描和出版物的相册]
品名（英）	[Album Containing Photographs, Engravings, Drawings, and Publications Pertaining to Alexandre Dumas]
入馆年号	1999年，2005.100.371
策展部门	摄影（Photographs）
创作者	Nadar【1820 至 1910】【法国人】
创作年份	公元 1855
创作地区
分类	唱片集（Albums）
尺寸	图像: 9 3/8 × 7 5/16 英寸 (23.8 × 18.5 厘米) 页: 11 1/2 × 7 5/8 英寸 (29.2 × 19.4 厘米)
介绍（中）	费利克斯·图尔纳雄第一次见到大仲马（1802-1870）是在19世纪20年代，当时这位年轻的作家把手稿带给他的父亲维克多·图尔纳琼出版。在学校里欣赏了大仲马虚张声势的历史剧后，费利克斯在19世纪40年代成为了他的朋友，当时他是一名记者、小说家和漫画家，笔名为德·普拉姆·纳达尔。1855年，两人梦想着一起写一部戏剧，但最终他们只合作了这幅同年11月拍摄的肖像<大仲马随意地坐着，双手舒适地交叉在手杖上，以愉快的心情向纳达尔致辞，暗示着他们的友谊。他活泼的表情一定程度上要归功于他对朋友谈话的兴趣，但这也源于纳达尔不可思议的能力，他能从坐着的人身上汲取他们最具特色的表情。他承认，尽管任何人都可以在一次训练中学会拍照，但无法传授的是"对光线的感觉"和"对一个人的主题的道德理解……这允许最熟悉和最有利的相似之处，即亲密的相似之处。"
介绍（英）	Félix Tournachon first met Alexandre Dumas (1802-1870) in the 1820s, when the young author brought manuscripts to his father, Victor Tournachon, to publish. After admiring Dumas's swashbuckling historical dramas at school, Félix became his friend in the 1840s, a period when he was working as a journalist, novelist, and caricaturist with the nom de plume Nadar. In 1855 the two men dreamed of writing a play together, but eventually they collaborated only on this portrait, made in November of that year. Seated casually, his hands folded comfortably on his cane, Dumas addressed Nadar with a jovial vivacity suggesting the camaraderie that was their wont. His lively expression surely owes something to the interest he took in his friend's conversation, but it also derives from Nadar's uncanny ability to draw from his sitters their most characteristic expressions. He avowed that although anyone could learn to photograph in a single session, what could not be taught was "a feel for light" and a quick intuition for "the moral comprehension of one's subject . . . which permits the most familiar and favorable resemblance, the intimate one."