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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)另一项不可能的任务
品名(英)Another Impossible Task
入馆年号1999年,2005.100.372.32
策展部门摄影Photographs
创作者Louis-Pierre-Théophile Dubois de Nehaut【1799 至 1872】【法国人】
创作年份公元 1854
创作地区
分类照片(Photographs)
尺寸图像: 16.3 x 21.2 厘米 (6 7/16 x 8 3/8 英寸) 页: 13 3/8 × 18 1/8 英寸 (34 × 46 厘米)
介绍(中)谢瓦利尔·杜布瓦·德·尼豪(Chevalier Dubois de Nehaut)是19世纪50年代的一位业余摄影师,他的作品体现了媒体在第二个十年取得的一些最引人注目的技术和美学进步。作为里尔地方法院的法官,他于1851年离开法官席,定居布鲁塞尔,追求对摄影的兴趣
这张照片,以及第68和69号,来自摄影师于1856年献给一位朋友遗孀的三十二个盘子的相册。这些对摄影师来说都具有个人意义的主题包括自拍、朋友及其孩子的肖像、他家附近的风景、火车站以及布鲁塞尔动物园的研究。这些照片通常附有摄影师对拍摄对象、照片质量以及他遇到的技术难题的幽默评论,展示了杜波依斯·德·尼豪对成功描绘运动的追求,以及他在一天中不同时间和不同天气条件下获取图像的努力,以及他喜欢从高的有利位置拍摄地点,以揭示在眼睛水平上看不到的令人惊讶的几何图形
在这张大象贝齐小姐的照片的标题中,摄影师告诉我们,这是他第十二次尝试——也是第一次成功——拍摄动态中的大象。贝齐小姐是从印度经伦敦动物园来到布鲁塞尔的,她是新建动物园的首批租户之一。这位摄影师设法捕捉到了她独特的移动方式,将身体向前推到一条腿上,这是她在从印度艰难的海上航行中,随着船的移动而摇摆时养成的习惯。
介绍(英)Chevalier Dubois de Nehaut represents a type of amateur photographer of the 1850s whose work exemplifies some of the most striking technical and aesthetic advances achieved by the medium in its second decade. A judge at the magistrates' court in Lille, he left the bench and settled in Brussels in 1851, pursuing his interest in photography.
This image, as well as nos. 68 and 69, is from an album of thirty-two plates that the photographer dedicated in 1856 to the widow of a friend. The subjects, all of personal significance to the photographer, include self-portraits, portraits of friends and their children, views of the immediate vicinity of his house, train stations, and studies of the zoological garden in Brussels. The images, often annotated with the photographer's humorous comments about the subjects and about the quality of the prints and the technical difficulties he encountered, demonstrate Dubois de Nehaut's pursuit of the successful depiction of movement, his efforts to obtain images at various times of the day and under different weather conditions, and his predilection for photographing sites from a high vantage point so as to reveal surprising geometries not apparent at eye level.
In the caption to this photograph of the elephant Miss Betzy, the photographer tells us that it is his twelfth attempt--the first successful one--to photograph the elephant in motion. Miss Betzy had come to Brussels from India via the London Zoo, and was one of the first tenants of the newly built zoological garden. The photographer managed to catch something of her distinctive way of moving, with her bulk thrust forward onto one leg, a habit she developed while swaying with the movement of the boat during her arduous sea voyage from India.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。