[在雅典卫城挖掘后不久的小牛和克里提奥斯男孩];巴克斯神庙 - 美国大都会艺术博物馆展品查阅

品名（中）	[在雅典卫城挖掘后不久的小牛和克里提奥斯男孩];巴克斯神庙
品名（英）	[The Calf-Bearer and the Kritios Boy Shortly After Exhumation on the Acropolis]; Danseuse du Temple de Bacchus
入馆年号	1999年，2005.100.56
策展部门	摄影（Photographs）
创作者
创作年份	公元 1863 - 公元 1867
创作地区
分类	照片（Photographs）
尺寸	Mount: 12 英寸 × 10 7/8 英寸 (30.5 × 27.7 厘米) 图像 (a): 10 7/8 × 8 9/16 英寸 (27.7 × 21.8 厘米) 图像 (b): 10 9/16 × 8 1/4 英寸 (26.9 × 21 厘米)
介绍（中）	从 1833 年土耳其驻军撤出到 1882 年开始系统挖掘，雅典卫城一直是随机调查的地点。随着土耳其建筑被清理和主要寺庙的重新竖立，碎片产生了铭文，这些铭文在重建时被纳入墙壁，雕塑碎片在户外或Propylaea中随意地组合在一起。1863年，决定需要一个博物馆。在1864年挖掘地基时，工人们发现了更多的碎片，其中包括无头雅典娜（照片左侧）和小牛（在发现动物头部之前被认为是山羊饲养者）。第二年，克里提奥斯男孩的躯干被发现，尽管他的头和小牛的脚一样，直到 1880 年代后期才出现。具有讽刺意味的是，如果波斯人没有在公元前479年烧毁雅典卫城，这些雕像都不会被保存下来。起初，雅典人无法重建，但他们改变了主意，决心使众神的地方比以前更加辉煌。他们清扫干净，将碎片埋在新寺庙大院表面下方的坑中。因此，当拍摄小牛（约公元前570年）和克里提奥斯男孩（约公元前490年）时，太阳已经有一千三百年没有照耀过他们了。这幅画是关于他们发现的兴奋——对古典希腊艺术的古老前身的混乱和仍然零碎的揭示。
介绍（英）	From 1833, when the Turkish garrison was withdrawn, until 1882, when systematic excavations were begun, the Acropolis was the site of somewhat random investigation. As the Turkish buildings were cleared and the principal temples re-erected, the debris yielded inscriptions that were incorporated into the walls as they were reconstructed and fragments of sculpture that were casually grouped together outdoors or in the Propylaea. In 1863 it was decided that a museum was required. While digging its foundation in 1864, workmen discovered additional fragments, among them a headless Athena (at the left in the photograph) and the Calf-Bearer (thought to be a goat-bearer until the animal's head was found). The torso of the Kritios Boy was uncovered the following year, although his head, like the feet of the Calf-Bearer, did not emerge until the late 1880s. It is ironic that none of these statues would have been saved had the Persians not burned the Acropolis in 479 B.C. At first the Athenians could not bring themselves to rebuild, but they changed their minds and determined to make the place of the gods even more splendid than before. Making a clean sweep, they buried the debris in pits beneath the surface of the new temple compound. Thus, when the Calf-Bearer (ca. 570 B.C.) and the Kritios Boy (ca. 490 B.C.) were photographed, the sun had not shone upon them for some thirteen hundred years. The picture is about the excitement of their discovery--a jumbled and still-fragmentary revelation of the archaic antecedents of classical Greek art.