耶路撒冷，犹太石棺 - 美国大都会艺术博物馆展品查阅

品名（中）	耶路撒冷，犹太石棺
品名（英）	Jérusalem, Sarcophage judaïque
入馆年号	1999年，2005.100.373.71
策展部门	摄影（Photographs）
创作者	Auguste Salzmann【1824 至 1872】【法国人】
创作年份	公元 1854 - 公元 1859
创作地区
分类	照片（Photographs）
尺寸	图像: 23.2 × 32.7 厘米 (9 1/8 × 12 7/8 英寸) Mount: 44.5 x 59.7 厘米 (17 1/2 x 23 1/2 英寸)
介绍（中）	其他学者嘲笑Félicien Caignart de Saulcy在1850年前往耶路撒冷的探险中检查的许多建筑碎片可以追溯到大卫和所罗门时期，他进一步被指控提供了异想天开和不准确的现场图纸来支持他的论文。艺术家和考古学家奥古斯特·萨尔兹曼于1853年末加入了这场学术争论，前往耶路撒冷研究和拍摄有争议的纪念碑；经过四个月的工作，他带着至少150张底片回到了巴黎。对萨尔兹曼来说，他的照片的决定性力量是不言而喻的；对他们提供的视觉证据的简单检查证明了德索尔西的正确性。德索尔西（de Saulcy）显然很满意地写道，"事实上，他是一位最能干的绘图员，他的诚意很难质疑……太阳。"，萨尔兹曼的照片经常描绘平面的砖石表面或孤立的建筑细节。尽管萨尔兹曼在艺术训练的指导下对光和纹理的理解，但他选择了自己的学科和有利位置来完成学术和科学使命；其结果往往吸引了现代人的眼球，因为它们的极简主义和与艺术惯例的分歧 Salzmann的耶路撒冷照片于1854年印刷，供私人发行，两年后以"Jérusalem:Étude et reproduction photographique des monuments de la ville sainte depuis l’époque judaïque jusqu’ànos jours"的标题出版，供商业销售。1856年版，即这张照片的拍摄地，包括174个盘子和一段文字。
介绍（英）	Ridiculed by fellow scholars for contending that many architectural fragments examined on an 1850 expedition to Jerusalem dated from the period of David and Solomon, Félicien Caignart de Saulcy was further accused of having provided fanciful and inaccurate site drawings to support his thesis. Auguste Salzmann, an artist and archaeologist, entered this scholarly fray late in 1853, setting off for Jerusalem to study and photograph the disputed monuments; after four months' work, he returned to Paris with at least 150 negatives. For Salzmann, the conclusive power of his photographs was self-evident; simple examination of the visual evidence they provided proved de Saulcy correct. With obvious satisfaction, de Saulcy wrote of having been vindicated by "a most able draftsman, in truth, and one whose good faith would be difficult to question, . . . the sun." In contrast to the more generalized architectural views produced by other exploratory photographers in the Middle East, Salzmann's photographs often depict planar masonry surfaces or isolated architectural details. Although guided in his understanding of light and texture by his artistic training, Salzmann chose his subjects and vantage points to fulfill a scholarly, scientific mission; the results are often appealing to the modern eye for their minimalism and for their divergence from artistic convention. Salzmann's photographs of Jerusalem were printed in 1854 for private distribution and published for commercial sale two years later under the title "Jérusalem: Étude et reproduction photographique des monuments de la ville sainte depuis l'époque judaïque jusqu'à nos jours." The 1856 edition, from which this print is taken, included 174 plates and an accompanying text.