玫瑰系列 - 美国大都会艺术博物馆展品查阅

品名（中）	玫瑰系列
品名（英）	Série des Roses
入馆年号	1999年，2005.100.387.1–.11
策展部门	摄影（Photographs）
创作者	Pierre-Louis Pierson【1822 至 1913】【法国人】
创作年份	公元 1895
创作地区
分类	唱片集（Albums）
尺寸	Approximately 14.3 x 9.9 厘米 (5 5/8 x 3 7/8 英寸) each
介绍（中）	在她生命的最后几年，卡斯蒂廖内伯爵夫人，现在是一个过早衰老、没有牙齿和秃顶的隐士，邀请她的前合作者皮埃尔-路易斯·皮尔森（Pierre-Louis Pierson）拍摄她年轻时的各种服装。两组相同的十幅图像，每组都以小册子的形式组装在一起，显示她穿着舞会礼服，摆出不同的姿势，就像她三十年前创作的画面一样。在其中一本小册子中，她用钉住的纸条伪装了自己的腰围，指示底片应该在哪里修饰。伯爵夫人在封面上将她的服装描述为"蓬巴杜粉色丝绸，黑色纱布，真正的玫瑰和卷曲的金色假发"的连衣裙。她将这组作品命名为"玫瑰色"，给每幅画起一个适合其心情的标题。伯爵夫人称这幅肖像为"Rose Trémière"或hollyhock，在法国与坟墓有关。
介绍（英）	In the last years of her life, Countess de Castiglione, now a prematurely aged, toothless, and bald recluse, invited her former collaborator Pierre-Louis Pierson, himself over seventy years old, to photograph her in the various attires of her youth. Two identical sets of ten images, each assembled in booklet form, show her in a ball gown, striking different poses as in the tableaux vivants she had composed thirty years earlier. In one of the booklets, she disguised her girth with pinned-down slivers of paper indicating where the negative should be retouched. The countess described her outfit on the cover as a dress of "pompadour pink silk, peignoir of black gauze, real roses, and a curly blond wig." She named the set "Série des roses," giving each image a title appropriate to its mood. The countess called this portrait "Rose Trémière," or hollyhock, which in France is associated with the grave.