格拉斯的一条街 - 美国大都会艺术博物馆展品查阅

品名（中）	格拉斯的一条街
品名（英）	A Street in Grasse
入馆年号	2000年，2000.286
策展部门	摄影（Photographs）
创作者	Charles Nègre【1820 至 1880】【法国人】
创作年份	公元 1852
创作地区
分类	照片（Photographs）
尺寸	32.9 x 23.8 厘米 (12 15/16 x 9 3/8 英寸 )
介绍（中）	"作为一名画家，我一直牢记画家，"查尔斯·内格雷在 1852 年 8 月在法国南部拍摄后写道。"无论我在哪里可以放弃建筑精度，我都沉迷于风景如画......必要时，我牺牲了一些细节，以达到强加的效果......[和]诗意的魅力。事实上，Nègre的新媒介非常适合他在绘画工作室学到的教训：他的纸质底片的纹理及其对大量光影的倾向反映了他的工作室伙伴Daubigny等画家所寻求的"效果"。这张照片是在内格雷的家乡格拉斯拍摄的，最引人注目的是他构图的几何形状——道路蜿蜒曲折地沿着页面向上延伸，几乎是工厂和房屋的立体主义渲染。整个场景充满了眼睛的路径，并被精心放置的细节所打断，例如女人洗衣服，衣服披在墙上，年轻人坐在山坡上，仿佛靠在画面的左边缘。
介绍（英）	"Being a painter myself, I have kept painters in mind," wrote Charles Nègre after photographing in the south of France in August 1852. "Wherever I could dispense with architectural precision I have indulged in the picturesque . . . I have sacrificed a few details, when necessary, in favor of an imposing effect . . . [and] poetic charm." Nègre's new medium was, in fact, perfectly suited to the lessons he had learned in the painting studio: the course texture of his paper negatives and their tendency to mass light and shadow mirrored the "effect" sought by painters like his studio mate Daubigny. Most striking in this photograph, made in Nègre's hometown Grasse, is the geometry of his composition-the road zigzagging up the page to a nearly Cubist rendering of the mills and houses. The entire scene is laced with paths for the eye and punctuated by carefully placed details, such as the woman washing clothes, the laundry draped over the wall, and the young man seated on the hillside as if leaning against the left edge of the picture.