[受难天使，巴黎圣礼拜堂] - 美国大都会艺术博物馆展品查阅

品名（中）	[受难天使，巴黎圣礼拜堂]
品名（英）	[Angel of the Passion, Sainte-Chapelle, Paris]
入馆年号	2002年，2002.9
策展部门	摄影（Photographs）
创作者	Auguste Mestral【1812 至 1884】【法国人】
创作年份	公元 1853 - 公元 1854
创作地区
分类	照片（Photographs）
尺寸	32.9 x 20.3 厘米 (12 15/16 x 8 英寸)
介绍（中）	机缘巧合偶尔会帮助缪斯女神，就像这里一样，一个工人的疲劳、微风和一点阳光帮助这位媒体的早期大师取得了远远超出初衷的成就。Mestral受雕塑家Adolphe Victor Geoffroy Dechaume的委托，记录了他的一位激情天使，然后将其抬到圣夏贝尔教堂底部一个高高的、难以接近的位置。在修复现场，摄影师挂上了一块白色画布，为雕塑提供了一个中性的背景；然而，在长时间的曝光（可能十到十五分钟）中，窗帘在微风中吹过，在模糊的光线中软化了边缘和褶皱。因此，人们有一种感觉，雕刻的天使复活了，并发出一束光，出现在梦中熟睡的工人面前，就像天使出现在雅各布面前一样，而他的同伴仍然没有注意到几英尺外发生的景象。
介绍（英）	Serendipity occasionally aids the muses, as here, where a worker's fatigue, a gentle breeze, and a bit of sunshine have helped one of the medium's early masters achieve something far beyond his original intention. Mestral was commissioned by the sculptor Adolphe-Victor Geoffroy Dechaume to document one of his angels of the passion before it was lifted to a high and inaccessible perch at the base of the flèche of the Sainte-Chapelle. Working at the restoration site, the photographer strung up a white canvas to provide a neutral background for the sculpture; however, during the long exposure (perhaps ten or fifteen minutes) that drapery blew in the breeze, softening its edges and folds in a blur of light. As a result, one has the sense that the sculpted angel has come to life and descended a beam of light to appear to the sleeping workman in a dream—like the angel appearing to Jacob—while his companion remains oblivious to the vision taking place a few feet away.