与Poor Jo的专辑页面 - 美国大都会艺术博物馆展品查阅

品名（中）	与Poor Jo的专辑页面
品名（英）	Album page with Poor Jo
入馆年号	2005年，2005.100.891
策展部门	摄影（Photographs）
创作者	George James Howard, 9th Earl of Carlisle (EP)【1843 至 1911】
创作年份	公元 1860 - 公元 1902
创作地区
分类	照片（Photographs）
尺寸	Mount: 19 7/8 英寸 × 13 11/16 英寸 (50.5 × 34.8 厘米)
介绍（中）	在这张专辑页面中，一个街头顽童似乎躲避了挤在他周围的照片拼贴画。他出现在奥斯卡·古斯塔夫·雷兰德（Oscar Gustav Rejlander）于1860年左右制作的流派场景中，这位摄影师以蒙太奇而闻名，将数十张底片组合成无缝构图。然而，我们在这里看到的是一个非常不同的组装过程，可能是由雷兰德轨道上的画家乔治·詹姆斯·霍华德（George James Howard）进行的。这个页面不是无缝的，而是结合了来自大众媒体的图像和几乎没有明显的逻辑，追踪霍华德自己的特殊兴趣和活动。他随意地组合主题反映了他那个时代与照片越来越随意的关系，这些照片越来越容易复制和传播。作为一系列墨水和纸张复制品中唯一的照相印刷品，Rejlander 的作品本身将进入大众流通;他的顽童经常在《插图报》上客串，成为福利组织的典范，并可能在此过程中被粘贴到其他专辑中。
介绍（英）	In this album page, a street urchin seems to take cover from the photo-collage that crowds the sheet around him. He appears in a genre scene made around 1860 by Oscar Gustav Rejlander, a photographer better known for montages joining dozens of negatives into a seamless composition. What we see here, however, is a very different process of assembly, probably undertaken by George James Howard, a painter in Rejlander’s orbit. Anything but seamless, this page combines images from the popular press with little apparent logic, tracking Howard’s own idiosyncratic interests and activities. His haphazard assemblage of subjects reflects his era’s increasingly casual relationship to photographs, which were growing ever easier to reproduce and disseminate. The lone photographic print in an array of ink-and-paper reproductions, Rejlander’s work would itself enter mass circulation; his urchin made frequent cameos in the illustrated press, became the poster child for a welfare organization, and was likely pasted into other albums along the way.