卡特琳湖码头，湖夫人的场景 - 美国大都会艺术博物馆展品查阅

品名（中）	卡特琳湖码头，湖夫人的场景
品名（英）	Loch Katrine Pier, Scene of the Lady of the Lake
入馆年号	2005年，2005.100.261
策展部门	摄影（Photographs）
创作者	William Henry Fox Talbot【1800 至 1877】【英国人】
创作年份	公元 1844
创作地区
分类	照片（Photographs）
尺寸	图像: 17.5 x 21.1 厘米 (6 7/8 x 8 5/16 英寸) 页: 18.4 x 22.9 厘米 (7 1/4 x 9 英寸)
介绍（中）	塔尔博特是一位典型的绅士业余爱好者，他在出版两本带照片的书中扮演了专业角色：《自然的铅笔》，这是对他的发明的一般介绍，《苏格兰的太阳图片》，这两本书是沃尔特·斯科特爵士的小说中流行的风景之旅。这幅保存完好的卡特琳湖版画，也许是"太阳图片"中最有趣的图像，展示了塔尔博特将摄影的一个新颖特征转化为艺术优势。虽然草图只能部分填满一张纸，但照片从一开始就从边缘到边缘都是完整的，尽管许多初学者没有意识到这一点，但最好的照片是根据这一原则组织的。塔尔博特没有按照惯例创作场景，而是在相机的平面磨砂玻璃上处理场景。本质上，他看到两个深色和两个浅色的三角形漂浮在一个平面上。在他由此产生的画面中，实体和非实体已经成为平等的伙伴，永远处于融合的边缘。
介绍（英）	Talbot, the quintessential gentleman amateur, took on a professional role in the publication of two books illustrated with photographs: "The Pencil of Nature", a general introduction to his invention, and "Sun Pictures in Scotland", a tour of the scenery made popular by the novels of Sir Walter Scott. This well-preserved print of Loch Katrine, perhaps the most interesting of the images in "Sun Pictures", shows Talbot turning a novel feature of photography to artistic advantage. While a sketch may only partially fill a sheet of paper, a photograph is complete from edge to edge from the outset, and though many beginners do not realize it the best photographs are organized according to this principle. Instead of composing his scene conventionally, Talbot here worked with the scene as it appeared on his camera's flat ground glass. In essence, he saw two dark and two light triangles floating on a plane. In his resulting picture the solid and the insubstantial have become equal partners forever poised at the verge of merging.