财政部，伯恩。外部视图 - 美国大都会艺术博物馆展品查阅

品名（中）	财政部，伯恩。外部视图
品名（英）	Finance Ministry, Burned. Exterior View
入馆年号	2007年，2007.454.1.12
策展部门	摄影（Photographs）
创作者	Alphonse J. Liébert【1827 至 1913】【法国人】
创作年份	公元 1871
创作地区
分类	照片（Photographs）
尺寸	图像s approx.: 19 x 25 厘米 (7 1/2 x 9 13/16 英寸), or the reverse Mounts: 32.8 x 41.3 厘米 (12 15/16 x 16 1/4 英寸), or the reverse
介绍（中）	即使在我们这个媒介无处不在的时代，我们仍然被战争灾难、自然灾害的破坏或局部灾难的形状的照片所吸引。是为了保存历史，缅怀苦难，倡导重建，还是同样的奇怪冲动迫使人们放慢脚步，看看高速公路上事故的残骸？无论出于何种原因，对后公社巴黎废墟的图像都有巨大的需求。Liébert只是众多摄影师之一，他们巡视这座城市，记录了政府大楼，房屋，工厂和防御工事沦为瓦砾。他的百版系列，通常出现在一套两本皮革装订的相册中，并附有文字，对公社人几乎没有同情心，显然是针对富裕的观众的，但其他摄影师制作了廉价的立体照相和生活卡，可供广大观众购买。
介绍（英）	Even in our own era, when the medium is ubiquitous, we remain captivated by photographs of the disasters of war, the devastation of natural disasters, or the shape of a local catastrophe. Is it to preserve history, remember suffering, advocate for reconstruction--or is it the same strange impulse that compels one to slow down and look at the wreckage of an accident on the highway? For whatever reason, there was a huge demand for images of the ruins of post-Commune Paris. Liébert was but one of many photographers who toured the city recording the government buildings, houses, factories, and fortifications reduced to rubble. His hundred-print series, usually found in a set of two leather-bound albums with an accompanying text that showed little sympathy for the Communards, was clearly aimed at a well-to-do audience, but other photographers produced inexpensive stereographs and cartes de visite that could be purchased by a wide audience.