[身穿锁子甲束腰外衣的男子冒充垂死的士兵] - 美国大都会艺术博物馆展品查阅

品名（中）	[身穿锁子甲束腰外衣的男子冒充垂死的士兵]
品名（英）	[Man in Chainmail Tunic Posing as a Dying Soldier]
入馆年号	2012年，2012.110
策展部门	摄影（Photographs）
创作者	Adrien Constant de Rebecque【1806 至 1876】【瑞士人】
创作年份	公元 1858 - 公元 1868
创作地区
分类	石膏浇筑（Plaster cast）
尺寸	图像: 17.9 x 24.2 厘米 (7 1/16 x 9 1/2 英寸) Mount: 27.2 x 37 厘米 (10 11/16 x 14 9/16 英寸)
介绍（中）	早期的瑞士摄影师康斯坦特·德莱塞特（Constant Delessert）可能是由他妻子的巴黎表兄弟爱德华（Édouard）和本杰明·德莱塞特（Benjamin Delessert）介绍给这种媒介的。尽管康斯坦特通过展览记录、他在法国摄影协会的成员资格以及他关于摄影过程的著作而闻名，但他的作品直到最近才为人所知，当时他的一系列专辑出现在拍卖会上，主要充满了家庭成员和其他人的标准肖像、城市和风景，以及一些流派场景。然而，这张不寻常的照片与他更典型的作品截然不同。毫无疑问，这是作为一幅画的研究，它展示了一个穿着锁子甲束腰外衣的男人，摆出一个垂死的战士的经典姿势。到1860年代初，摄影已成为画家和雕塑家的共同辅助工具，但这项工作生动地揭示了媒介之间的差异：在某些宏大的历史画中，充满悲情的英雄人物死在战场上可能起源于工作室地毯上的模特，他的头由切割天鹅绒枕头支撑在雕刻精美的椅子座位上。
介绍（英）	The early Swiss photographer Constant Delessert was likely introduced to the medium by his wife’s Parisian cousins Édouard and Benjamin Delessert. Although Constant was known through exhibition records, his membership in the Société Française de Photographie, and his writings on photographic processes, his work was unfamiliar until recently, when a series of his albums appeared at auction, filled primarily with standard portraits of family members and others, city and landscape views, and a few genre scenes. This unusual photograph, however, stands apart from his more typical work. Undoubtedly made as a study for a painting, it shows a man dressed in a chainmail tunic, striking the classic pose of a dying warrior. By the early 1860s photography had become a common aid for painters and sculptors, but this work vividly reveals the differences between the mediums: the heroic figure, full of pathos, dying on the battlefield in some grand history painting may have had its origin in a model posed in the studio on a carpet, his head supported by a cut- velvet pillow on the seat of a finely carved chair.