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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)玉米神从一朵花里出来
品名(英)Maize God emerging from a flower
入馆年号1979年,1979.206.728
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 7 - 公元 9
创作地区墨西哥(Mexico)
分类陶瓷雕塑(Ceramics-Sculpture)
尺寸高 8 1/8 x 宽 2 x 深 1 1/2 英寸 (20.7 x 5.1 x 3.8 厘米)
介绍(中)这尊手工制作的陶瓷雕塑描绘了一位年轻的玉米神的头部和躯干,他从成熟的玉米穗中央出现。年轻的玉米神拥有理想化的面部特征和细长的头部。他戴着一个流苏头饰,可能是羽毛做的,顶部中央的流苏变平并向后翻转。他戴着一条珠饰项链,耳轴上有突出的中心。他将双臂交叉放在胸前,从左到右,前臂放在雕塑中心折叠的玉米壳上





玉米穗从细长的茎上发芽,除了一些小的现存蓝色色素外,没有任何装饰。一片高大的杏仁状叶子直立在雕像后面,其外表面(雕塑的背面)轻轻地刻着三条垂直线;另一片形状和大小相似的叶子在前面轻轻地向下折叠,露出六粒玉米,排列成两排平行的垂直行,在视觉上被三条切割线隔开。第三片叶片状的叶片,比其他叶片更短、更窄,从雕塑的左侧斜向突出





此天体可能来自墨西哥的吉安娜岛(今坎佩切)。它与其他手工制作的耆那教雕像和肖像有着惊人的相似之处,这些雕像和肖像描绘了从花朵或其他植被中出现的神。虽然在耆那教雕像中对可识别的神的描绘相对罕见,但这一亚组耆那教雕塑似乎只描绘神


已发表参考文献


Finamore,Daniel和Stephen D.Houston。2010年。<i>火池:玛雅与神话之海<i>。马萨诸塞州塞勒姆:皮博迪埃塞克斯博物馆和纽黑文:耶鲁大学出版社。第16页,第58-61页。


进一步阅读

关于这一亚群贾尼那雕像的比较和原始定义,请参阅:

Miller,Mary Ellen。1975年。<i>贾娜雕像:玛雅图像学研究<i>。普林斯顿:普林斯顿大学美术馆。图22-24,第52页。


O'Neil,Megan E.2012。吉安娜风格的雕像。在敦巴顿橡树园的古代玛雅艺术(由Joanne Pillsbury、Miriam Doutriaux、Reiko Ishihara Brito和Alexandre Tokovinine编辑),398-430。华盛顿特区:邓巴顿橡树研究图书馆和收藏



比较:



施密特、彼得、梅塞德斯·德·拉·加尔扎和恩里克·纳尔达。1998年。Maya。米兰:里佐利/博姆皮亚尼。[第593页,请299300]
介绍(英)This hand-modeled ceramic sculpture depicts the head and torso of a youthful Maize God emerging from the center of a ripe ear of corn. The young Maize God has idealized facial features and elongated head. He wears a fringed headdress, perhaps of feathers, that has flattened and turned back fringes at the top-center. He wears a beaded necklace and ear spools with projecting centers. He folds his arms across his chest, proper left under proper right, resting his forearms atop the folded down corn husk in the center of the sculpture.





The ear of corn sprouts from a long, narrow stem that is unadorned except for some minor areas of extant blue pigment. A tall, almond-shaped leaf stands upright behind the figure with three vertical lines gently incised on its outer surface (the back of the sculpture); another leaf of similar shape and size folds gently down in front to reveal six grains of corn arranged in two parallel vertical rows visually separated by three incised lines. A third blade-like leaf, shorter and narrower than the others, projects diagonally from the proper left side of the sculpture.





This object is probably from Jaina Island (present-day Campeche) in Mexico. It bears striking similarities to other hand-modeled Jaina figurines and effigies that depict deities emerging from flowers or other vegetation. While the depiction of identifiable deities is relatively uncommon in Jaina figurines, this sub-group of Jaina sculpture seems to portray gods exclusively.



Published References


Finamore, Daniel and Stephen D. Houston. 2010. Fiery Pool: The Maya and the Mythic Sea. Salem, MA: Peabody Essex Museum and New Haven: Yale University Press. Pl. 16, Pp. 58-61.



Further Reading

For comparanda and original definition of this subgroup of Jaina figurines, see:


Miller, Mary Ellen. 1975. Jaina Figurines: A Study of Maya Iconography. Princeton: Princeton University Art Museum. Figs. 22-24, p. 52.


O'Neil, Megan E. 2012. Jaina-style Figurines. In Ancient Maya Art at Dumbarton Oaks (edited by Joanne Pillsbury, Miriam Doutriaux, Reiko Ishihara-Brito, and Alexandre Tokovinine), 398-430. Washington, D.C.: Dumbarton Oaks Research Library and Collection.



For comparanda:


Finamore, Daniel and Stephen D. Houston. 2010. Fiery Pool: The Maya and the Mythic Sea. New Haven: Yale University Press and Salem: Peabody Essex Museum. [Pp. 60-61, Pls. 15, 16]

Schmidt, Peter, Mercedes de la Garza, and Enrique Nalda. 1998. Maya. Milan: Rizzoli/Bompiani. [p. 593, Pls. 299, 300]
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。