圆柱形容器 - 美国大都会艺术博物馆展品查阅

品名（中）	圆柱形容器
品名（英）	Cylindrical Vessel
入馆年号	1983年，1983.543.3
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元 600 - 公元 800
创作地区	危地马拉或墨西哥（Guatemala or Mexico）
分类	石头容器（Stone-Containers）
尺寸	高 5 1/4 x 直径 4 1/8 英寸 (13.3 x 10.5 厘米)
介绍（中）	这个由红色带子框住的圆柱形容器在其边缘周围包含一个象形文字，并显示了两个坐着的神。它以"手抄本风格"绘制，艺术家使用简单的阴影来强调这两个人物。这些神灵可能是玛雅闪电之神K'awiil的一个版本，从他们额头冒出的烟雾卷轴中可以证明这一点。所谓的"手抄本式"罐子是所谓的绘画风格，这种绘画风格与位于马德里、巴黎、德累斯顿和墨西哥城的四本现存的屏幕折叠玛雅书籍（称为抄本）非常相似。这些书可以追溯到后古典时期（约公元1000-1492年）。手抄本风格的特征是奶油色或淡黄色的滑动背景，通常由上下的红色带框住，以及勾勒人物和象形文字的黑色书法线条。有时画家会应用灰色水洗来着色人物或其他特征。与玛雅器皿大型语料库中色彩丰富的花瓶和碗相比，手抄式花盆在灰度上与众不同，这几乎可以肯定反映了它们相对于书法书籍的发展。
介绍（英）	This cylindrical vessel framed by red bands contains a hieroglyphic text around its rim and shows two seated gods. It is painted in the ‘codex-style’, and the artist used simple shading to emphasize the two figures. The deities could be a version of K’awiil, the Maya god of lightning, as evidenced by the smoking scrolls emerging from their foreheads. ‘Codex-style’ pots are so-called for the style of painting which bears a close resemblance to the four extant screen-fold Maya books, known as codices, located in Madrid, Paris, Dresden, and Mexico City. These books date to the Postclassic Period (ca.　a.d.　1000–1492). The characteristics of the codex-style are a cream or yellowish slipped background, often framed by red bands above and below, and a black calligraphic line outlining figures and hieroglyphic texts. Sometimes the painters applied a gray wash to shade figures or other features. In contrast to the richly polychromed vases and bowls from the large corpus of Maya vessels, codex-style pots stand apart in their grayscale, which is almost certainly a reflection of their development vis-à-vis calligraphic books.