四角瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	四角瓶
品名（英）	Tetrapod Jar
入馆年号	1982年，1982.207.5
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元前 200 - 公元 1
创作地区	萨尔瓦多或危地马拉（El Salvador or Guatemala）
分类	陶瓷容器（Ceramics-Containers）
尺寸	高 5 1/2 英寸 (14 厘米)
介绍（中）	这个碗是一组称为Usulután的陶瓷器皿的一部分，基于表面装饰的表面相似性。这里采用的技术称为"抗蚀剂"，导致双色图案。实现颜色分离的方法在Usulután组中有所不同，在某些情况下，尚未理解。Usulután 器皿是在第一个千年之交前后的几个世纪（陶瓷形式和装饰创新时期）在玛雅高地的最南端（危地马拉东南部、洪都拉斯西部和萨尔瓦多）制造的。它们从那里广泛支付。考古学家长期以来一直认为，乌苏卢坦船只的分布与人民的迁徙或入侵有关。最近，有人提出这些陶瓷在当时备受推崇，因此被广泛交易。现在的例子是坐在四只小脚上，这是后来成为对各种碗上实质性的、精心制作的脚的迷恋的早期证据。
介绍（英）	This bowl is part of a group of ceramic vessels called Usulután based on superficial resemblances in surface decoration. The technique employed here, termed "resist," results in a two-color patterning. The method of achieving the color separation differs within the Usulután group and, in some instances, is yet to be understood. Usulután vessels were made during the centuries before and after the turn of the first millennium—a period of innovation in ceramic form and decoration—in the southernmost part of the Maya highlands (southeastern Guatemala, western Honduras, and El Salvador). They were widely disbursed from there. Archaeologists have long thought that the distribution of Usulután vessels was tied to the migrations of peoples or perhaps to invasions. More recently, it has been proposed that these ceramics were much admired in their time and thus widely traded. The present example sits on four small feet, early evidence of what would later become a fascination with substantive, elaborated feet on bowls of all sorts.