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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)图:带锤子和手杖的法院官员
品名(英)Figure: Court Official with Hammer and Staff
入馆年号1991年,1991.17.29
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 1870 - 公元 1950
创作地区尼日利亚, 贝宁王国(Nigeria, Kingdom of Benin)
分类金属雕塑(Metal-Sculpture)
尺寸高 8 1/4 英寸 × 宽 7 英寸 × 深 8 3/4 英寸 (21 × 17.8 × 22.2 厘米)
介绍(中)贝宁的中央集权城邦起源于讲江户语的民族。官方宫廷历史学家的记述和参观者提供的描述唤起了一个充满活力的文化中心,该中心通过不断变化的内部和外部权力动态不断被其领导层重新定义。根据口头传说,大约在1300年,江户酋长据说已经与邻国伊菲的领导人奥兰米扬(Oranmiyan)接触,建立了一个新的神圣的王室王朝。从那时起,贝宁统治者被授予奥巴斯的头衔,同时赋予了他们一个重要宗教仪式的首席牧师的角色,并主持了一个复杂的宫廷官员结构。在十五世纪的奥巴·埃瓦雷统治时期,贝宁军队组建,并用一堵巨大的城墙加固了首都。与此同时,葡萄牙商人代表团孜孜以求与该地区最强大政权的领导人签订专属商业条约。在1500年的鼎盛时期,贝宁的权力延伸到东部的尼日尔三角洲和西部的拉各斯海岸泻湖。其主要出口的胡椒、纺织品和象牙被大量的进口金属所交换。由于大量黄铜的涌入,宫廷艺术家们的创造力大爆发,他们将其转化为宫殿的作品,从放置在皇家祭坛上的祖先肖像,到描绘奥巴、其朝臣和外国对话者的装饰牌匾。从最早的此类交流开始,这些欧洲人就委托江户雕刻师制作精美的象牙制品,以供本国皇室收藏

近五百年来,贝宁的独立领导人坚定地与葡萄牙、荷兰和法国特工建立了接触条件,并有效地代表了他们自己的利益。尽管有大西洋奴隶贸易的要求,但几个世纪以来,他们的参与都局限于向葡萄牙人出售战俘。历史学家认为,这种情况在18世纪才发生了变化,当时地区政治之间的竞争升级导致了获取欧洲枪支的需求。在后来的一段时间里,由于继承权和内战的争端而导致的不稳定,通过交换俘虏来换取枪支而进一步加剧。十九世纪发生的一些内部和外部事态发展影响了贝宁君主的地位和脆弱性。在奥巴·阿道罗(Oba Adolo)的领导下,权力的天平似乎偏向于更有权力的酋长,而在其继任者奥文拉姆文(Ovonramwen)执政初期,他们之间的宿怨和煽动阴谋分裂了。这种转变表现在对奥巴的仪式和仪式活动的日益重视,以及超越宫殿的主要住宅的强化。与此同时,贝宁各地正在发生重大变化:伊斯兰教在敌对的奥约州方兴未艾;南部约鲁巴人信奉基督教;废除奴隶贸易导致了伊塞克里君主制的灭亡;英国当地官员越来越坚决地要破坏欧巴的权威。
介绍(英)At its origins, the centralized city-state of Benin was founded by Edo-speaking peoples. The accounts by official court historians and descriptions provided by visitors evoke a vibrant cultural center continually redefined by its leadership through shifting internal and external power dynamics. According to oral tradition, circa 1300, Edo chiefs are reputed to have reached out to the leader of neighboring Ife, Oranmiyan, to establish a new divinely sanctioned royal dynasty. Since then, the investiture of Benin’s rulers to the title of obas has conferred upon them at once a role of chief priest officiating in important religious ceremonies and presiding over an elaborate structure of palace officials. During the fifteenth century reign of Oba Ewuare, Benin’s armies were formed and the fortification of its capital with a massive wall undertaken. In parallel, delegations of Portuguese traders assiduously sought to secure exclusive commercial treaties with this leader of the region’s most powerful polity. At its height in 1500, Benin’s authority extended to the Niger delta in the east and to the coastal lagoon of Lagos in the west. Its major exports of pepper, textiles, and ivory were exchanged for copious quantities of imported metals. This access to an influx of brass led to an explosion of creativity by court artists who transformed it into works for the palace ranging from ancestral portraits, positioned on royal altars, to decorative plaques depicting the oba, his courtiers, and foreign interlocutors. From the earliest such exchanges, those Europeans commissioned exquisite ivory artifacts from Edo carvers for princely collections back home.

For nearly five hundred years, Benin’s independent leaders firmly established the terms of engagement with Portuguese, Dutch, and French agents and effectively represented their own interests. Despite the demands of the Atlantic Slave trade, for centuries they limited their participation to selling prisoners of war to the Portuguese. Historians have suggested that this only changed during the eighteenth century when escalation of contests among regional polities created a demand for access to European firearms. During that later period instability engendered by disputes over succession and civil war was further fueled through the exchange of captives for firearms. A number of internal and external developments that followed in the nineteenth century impacted the standing and vulnerability of Benin’s monarchs. Under Oba Adolo, the balance of power appears to have favored the more powerful chiefs and by the early years of his successor Ovonramwen’s reign, bitter feuds and seditious conspiracies divided their ranks. This shift was manifest in the increased emphasis on the oba’s ceremonial and ritual activities and the aggrandizement of chiefly residences that outstripped the palace. Concurrently significant changes were unfolding around Benin: Islam was in the ascendant in the rival state of Oyo; Christianity was embraced by the southern Yoruba; abolition of the slave trade was leading to the demise of the Itsekiri monarchy; and local British officials were increasingly determined to undermine the oba’s authority.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。