微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)图:坐着的葡萄牙男性
品名(英)Figure: Seated Portuguese Male
入馆年号1991年,1991.17.31
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 1700 - 公元 1800
创作地区尼日利亚, 贝宁(Nigeria, Court of Benin)
分类金属雕塑(Metal-Sculpture)
尺寸高 5 英寸 x 宽 2 英寸 x 深 2 3/8 英寸 (12.7 x 5.1 x 6 厘米)
介绍(中)1486年,来自葡萄牙的商人和探险家首次与贝宁王国接触,建立了经济关系,最终对这个西非国家的艺术和政治产生了深远影响。贝宁的口述历史讲述了16世纪初统治贝宁的奥巴·埃西吉如何巧妙地利用这些新的贸易伙伴来增强和巩固他的个人权力,并在非洲几内亚海岸地区扩大他的王国的军事和经济实力。从这一时期开始,葡萄牙商人的形象被广泛纳入贝宁皇家艺术形式

这个坐着的葡萄牙男人的小雕像是一种铸造的黄铜雕塑,展示在宫殿大院内的皇家祖先祭坛上。考虑到它的小尺寸,它最初可能是一件更大作品的组成部分,现在已经失传了,比如祭坛祭坛(aseberia)或手上的黄铜祭坛(ikegobo)。尽管葡萄牙人的身体不同,起初贝宁的艺术家也很陌生,但像这样的雕塑描绘非常符合贝宁宫廷艺术的审美标准和惯例。在这种雕塑传统中,身份和社会地位是通过服装和其他个人装备来表示的,而不是通过面部特征来表示的。像大多数贝宁艺术家一样,这个坐姿的创作者夸大了他认为与众不同和有代表性的欧洲人脸的一般方面,比如大而喙状的鼻子、长发、奢华的小胡子和胡子。然而,他的大部分兴趣似乎都集中在拍摄对象的服装上:其自然主义表现出对细节的敏锐关注。高顶帽子、喇叭肩扣紧身上衣、图案袖子、褶皱衣领、马裤和靴子都被忠实地呈现出来。与贝宁铸造黄铜雕塑中描绘的其他葡萄牙主题相比,这名男子的服装似乎特别精致,表明他是一个非常富有和重要的人。
介绍(英)Merchants and explorers from Portugal first made contact with the kingdom of Benin in 1486, initiating an economic relationship that ultimately had a profound impact upon the art and politics of this West African state. Benin's oral histories relate how Oba Esigie, who ruled Benin in the early sixteenth century, skillfully utilized these new trading partners to augment and consolidate his personal power and expand his kingdom's military and economic strength within the Guinea Coast region of Africa. From this period onward, images of Portuguese traders were widely incorporated into royal Benin art forms.

This tiny figure of a seated Portuguese man is a type of cast brass sculpture displayed on royal ancestral altars within the palace compound. Given its small size, it may have originally been a component of a larger work, now lost, such as an altar tableau (aseberia) or a brass altar to the hand (ikegobo). Although the Portuguese were physically different and initially quite unfamiliar to Benin's artists, sculptural depictions such as this one are very much in keeping with the aesthetic criteria and conventions of Benin courtly arts. In this sculptural tradition, identity and social status were indicated through clothing and other personal accoutrements rather than by facial features, which were typically generalized and slightly abstracted. Like most Benin artists, the creator of this seated figure exaggerated those generic aspects of the European face he found distinctive and representative, such as the large, beaklike nose, long hair, and luxurious moustache and beard. However, most of his interest appears to have been directed toward his subject's costume: its naturalism exhibits a keen attention to detail. The high-crowned hat, buttoned doublet with flared shoulders, patterned sleeves, ruffled collar, breeches, and boots are all faithfully rendered. Compared to other Portuguese subjects depicted in cast brass sculptures from Benin, this man's clothing appears to be especially fine and elaborate, suggesting an individual of significant wealth and importance.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。