右小腿防守（Greave） - 美国大都会艺术博物馆展品查阅

品名（中）	右小腿防守（Greave）
品名（英）	Defense for the Lower Right Leg (Greave)
入馆年号	1936年，36.25.458
策展部门	武器和盔甲（Arms and Armor）
创作者
创作年份	公元 1425 - 公元 1475
创作地区	原产国: 土耳其, 可能是布尔萨（Country of Origin: Turkey, Possibly Bursa）
分类	装甲部件大腿和腿部防御（Armor Parts-Thigh and Leg Defense）
尺寸	长 16 英寸 (40.8 厘米); 宽 4 1/2 In. (11.4 厘米); 重 1 磅 5 盎司 (593 g)
介绍（中）	这种护腿属于一小群盔甲，其装饰特点是大的花朵，有宽大的叶子和花瓣，上面有洞，外观明显坚固。这些盔甲一定是在同一个车间生产的，很可能博物馆的护腿和现在位于伊斯坦布尔阿斯克里穆泽西的一顶装饰非常相似的头盔曾经是同一件盔甲的一部分。在帖木儿的绘画、陶瓷和石雕中都可以找到这种类型的叶子。然而，也有奥斯曼帝国的相似之处，主要来自布尔萨，一群伊朗和伊朗培训的奥斯曼工匠为穆拉德二世（1421-51年在位）工作。Arthur Lane指出，他们生产的奢华的cuerda seca（干绳）瓷砖"标志着帖木儿王朝波斯风格被引入土耳其"。将大都会盔甲上发现的叶子形状与布尔萨作品中独特的叶子形状进行比较，表明博物馆的护腿板和其他相关作品可能是在15世纪中期在那里制作的这个greave代表了将许多十五世纪的盔甲归属于一个特定中心的困难。尽管这些盔甲的样式多种多样，但它们有着家族的相似之处；出于这个原因，许多作品在这里被描述为土库曼美学的典范，在许多不同的地方都有大量的作品。这一家族群体的特征之一是铭文经常写错，导致人们认为在许多情况下，铭文可能是由非阿拉伯语使用者执行的，可能是由文盲工匠或库尔德人、伊朗人或土库曼人执行的。刻在这顶大帽内侧的tamğa与博物馆收藏的两顶头盔上的相同（但相反）（参见第04.3.209、.210号法规）。
介绍（英）	This leg defense belongs to a small group of armor whose decoration is characterized by large floral forms with broad leaves and petals that are pierced with holes and have a distinctly strong, solid appearance. These armors must have been produced in the same workshop, and it is likely that the Museum’s leg defense and a very similarly decorated helmet now in the Askeri Müzesi, Istanbul, may once have been part of the same armor. Leaves of the type seen here are found in Timurid painting, ceramics, and stone carving. However, there are also Ottoman parallels, chiefly from Bursa, where a group of Iranian and Iranian-trained Ottoman artisans worked for Murad II (r. 1421–51). Arthur Lane noted that the luxurious cuerda seca (dry cord) tilework they produced “marks the introduction of the Timurid-Persian style into Turkey.” A comparison of the leaf forms found on the Metropolitan’s armor with those distinctive of Bursa work suggests that the Museum’s leg guard and other related pieces may have been made there during the mid-fifteenth century. This greave typifies the difficulty in attributing many fifteenth-century armors to a specific center. Although worked in a variety of styles, these armors share a family resemblance; for this reason, many of them are described here as exemplifying a widespread Turkman aesthetic with a huge production in numerous diverse locations. One of the characteristics of this family group is that the inscriptions are often incorrectly written, leading to the assumption that in many cases they may have been executed by a non-Arabic speaker, perhaps either by an illiterate craftsman or by a Kurd, an Iranian, or a Turkman. The tamğa engraved on the inside of this greave is the same (but reversed) as that found on two helmets in the Museum’s collection (see acc. nos. 04.3.209, .210).