肩角（佩琳） - 美国大都会艺术博物馆展品查阅

品名（中）	肩角（佩琳）
品名（英）	Shoulder Cape (Pelerine)
入馆年号	2007年，2007.252
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元 1830 - 公元 1860
创作地区	美国（United States）
分类	纺织品羽毛制品（Textiles-Featherwork）
尺寸	高 36 x 宽 61 英寸 (91.4 x 154.9 厘米)
介绍（中）	到了19世纪，美洲印第安人的生活与几个世纪前欧洲人最初的生活发生了巨大变化。殖民地的发展，然后在联邦联盟中逐步建立永久性州，随着定居者的不断增加，不断限制着土著活动和土著人民。对其变化环境的物质适应采取了各种形式，其中许多形式极具创造性。最初将桦树皮、豪猪羽毛、驼毛和羽毛等本土材料纳入欧美形式的物品中，但最终会产生依赖本土材料的箱子、椅子座椅和枕形物等作品。为了迎合西方人的口味，他们特意为销售和生产，保持了必要程度的"印第安风格"，以验证美洲原住民的异国情调。这些作品起源混杂，由于其丰富的想象力而在艺术上取得了成功。
介绍（英）	By the nineteenth century, American Indian life had changed dramatically from that originally encountered by Europeans some centuries earlier. The growth of the colonies, then the gradual establishment of permanent states in the federal union had, with the ever-increasing numbers of settlers, continually restricted Native activities and Native peoples. Material adaptations to their changed circumstances took various forms, many of which were extremely inventive. The initial inclusion of indigenous materials such as birch bark, porcupine quills, moosehair, and feathers into objects of Euro-American form but Native use would eventually lead to works such as boxes, chair seats, and pincushions that relied on the Native materials for their appeal. Intentionally made for sale and produced to please western tastes, they maintained a necessary degree of “Indianness” in order to validate a Native American form of exoticism. Hybrid in origin, these works succeed artistically because of their exuberant imagination.