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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)救济:蓄着胡须的人手持杖;象形文字铭文
品名(英)Relief: bearded figure holding staff; hieroglyphic inscription
入馆年号1890年,90.21
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 1000 - 公元前 750
创作地区
分类
尺寸45 × 23 × 3 1/8 英寸, 206 磅 (114.3 × 58.4 × 7.9 厘米)
介绍(中)这块石碑描绘了一个留着胡须的男性形象,面向左边,周围是一个浅切的铭文,分为七行。这个人物具有统治精英的特征,包括长长的流苏服装、右手拿着的法杖、圆形的头饰和他的发型,其中头发聚集在颈背上。石碑表面磨损,包括面部在内的许多区域不再可见细节。脚已经损坏,但仍然可以看到人物鞋子的上翘脚趾。

文本是用卢维安写成的,卢维安是一种象形文字形式,可追溯到公元前一千年早期,被新赫梯国王使用。他们的王国位于土耳其东南部和叙利亚北部,这些地区在公元前1600-1200年左右被强大的赫梯和米坦尼帝国统治。在青铜时代末期伟大的帝国势力崩溃后,这些土地被划分为由当地居民以及来自叙利亚 - 阿拉伯草原的游牧群体向北迁移的小国家统治。这些小王国产生了大量的雕刻石碑(独立的纪念碑)和直立石碑(覆盖结构内墙或外墙的石板),借用了赫梯和米坦尼前辈的独特形象和风格。这块石碑上的长铭文使我们能够确定这个人物是古尔古姆(现代马拉什)的国王拉拉马斯,他在公元前 1000-950 年之间的某个时间在位。文本列出了国王的祖先,似乎描述了他的事迹,尽管很难理解。提到了葡萄园和粮仓,也许指的是拉拉马斯统治下的富饶时期。文本以对那些要抹去他名字的人的诅咒结束。部分内容是:

我是拉拉马斯,阿斯图瓦拉曼扎斯的

孙子,穆瓦塔利斯的儿子。

[...]

谁要抹去我的名字,如果他是国王,让他交出



他的王国,

但谁是国家领主,

让他交出他的权力

,并且......他的头,房子,妻子,孩子...
介绍(英)This stele depicts a bearded male figure facing left, surrounded by a shallowly incised inscription divided into seven lines. The figure is shown with attributes characteristic of ruling elites, including the long, fringed garment, the staff he holds in his right hand, his rounded headdress, and his hairstyle, in which the hair is gathered at the nape of the neck in a bunch. The surface of the stele is worn and details are no longer visible in many areas, including the face. The feet are damaged, but the upturned toes of the figure’s shoes can still be seen.

The text is written in Luwian, a form of hieroglyphic writing that dates to the early first millennium B.C. and was used by the Neo-Hittite kings. Their kingdoms were located in southeastern Turkey and northern Syria, regions that had been ruled by the powerful Hittite and Mitanni empires from about 1600-1200 B.C. After the collapse of the great imperial powers at the end of the Late Bronze Age, these lands were divided into small states ruled by local populations as well as by nomadic groups from the Syrian-Arabian steppe who had migrated north. These small kingdoms produced a wealth of carved stone steles (freestanding monuments) and orthostats (slabs which covered the interior or exterior wall of a structure), which borrowed from the distinctive imagery and styles of their Hittite and Mitanni predecessors. The long inscription on this stele allows us to identify the figure as Laramas, king of Gurgum (modern Marash), who reigned sometime between 1000-950 B.C. The text lists the king’s ancestors and seems to describe his deeds, although it is difficult to understand. Vineyards and granaries are mentioned, perhaps referring to a time of abundance under Laramas’ rule. The text ends with a curse against those who would erase his name. It reads, in part:

I am Laramas, Astuwaramanzas's

grandson, Muwatalis's son.

[...]

He who shall erase my name,

if he is a king,

let him surrender his kingdom,

but he who is a country-lord,

let him surrender his power

and...his head, house, wife, child...
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。