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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)葬礼救济
品名(英)Funerary relief
入馆年号1898年,98.19.3
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元 200 - 公元 273
创作地区来自于: (From: )
分类
尺寸19 3/4 × 15 1/4 × 9 1/2 英寸 (50.2 × 38.7 × 24.1 厘米)
介绍(中)铭文:1 Zabda'ateh,

2 Wahba的儿子,
3 Zabda'ateh的儿子。
4 (这就是)是什么使他成为 Wah-
5 ba,他的兄弟。
6 唉!

音译:
1 zbdʿth 2 bṙ
whbʾ
3 bṙ zbdʿth
4 dy ʿbd lh wh
5 bʾ brh
6 这种浮雕

是公元前三个世纪繁荣的商队城市巴尔米拉的一种墓葬纪念碑。 带有死者代表和简短识别铭文的浮雕被用来密封精心装饰的公共坟墓中的墓龛; 那些半长或半身像格式的人在公元后的某个时候变得流行起来。65.

这里展示的是一个高浮雕的大胡子男人的上半身,头略微向左转,穿着被称为himation的希腊斗篷,穿在Chiton或束腰外衣上,像吊带一样缠绕在右臂上。他的左手握着一个环形的褶皱。浮雕的背景是空白的,除了他头部左侧的帕尔米林阿拉姆语铭文,上面写着他的名字、他的父亲和祖父的名字,以及委托建造这座纪念碑的兄弟的名字。铭文的字母中保留了红色油漆的痕迹。他的眼睑轮廓清晰,内角有泪腺,尽管眼球本身没有雕刻。拱形、浓密的眉毛和皱起的眉头给遥远的、没有人情味的目光带来了沉思的品质。这名男子的短发被描绘成一团波浪形的头发,在太阳穴处略微后退以暗示中年,而他的胡须则由单独的菱形簇组成。这种浮雕雕刻技巧非凡,对于避开大多数帕尔米林葬礼肖像的直接正面姿势以及对死者小心翼翼的特征的显着个性化描绘,这是不寻常的。它在风格上可以追溯到公元 200-273 年左右,因为人物的胡须、眼睛的处理方式以及他左手握住他的方式。
介绍(英)Inscription:
1 Zabda‘ateh,
2 son of Wahba,
3 son of Zabda‘ateh.
4 (This is) what made for him Wah-
5 ba, his brother.
6 Alas!

Transliteration:
1 zbdʿth
2 bṙ whbʾ
3 bṙ zbdʿth
4 dy ʿbd lh wh
5 bʾ brh
6

This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65.

Shown here is the upper body of a bearded man in high relief, head turned slightly to his left, dressed in a Greek cloak known as a himation, worn over a chiton, or tunic, and wrapped around the right arm like a sling. His left hand holds a looped fold of the himation. The background of the relief is blank except for an inscription in Palmyrene Aramaic to the left of his head giving his name, his father and grandfathers’ names, and the name of his brother, who commissioned this monument. Traces of red paint remain in the letters of the inscription. His eyelids are carefully outlined, with tear ducts indicated at the inner corners, although the eyeballs themselves are left uncarved. The arched, thick eyebrows and furrowed brow give a pensive quality to the distant, impersonal gaze. The man’s short hair is depicted as a mass of wavy locks, slightly receding at the temples to suggest middle age, while his beard is made up of individual diamond-shaped tufts. Carved with remarkable skill, this relief is unusual for eschewing the direct frontal posture of most Palmyrene funerary portraits and for the remarkably individualized depiction of the deceased’s careworn features. It can be stylistically dated to around 200-273 A.D. because of the figure’s beard, the treatment of the eyes, and the manner in which he holds his himation in the left hand.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。