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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)安全阀面板
品名(英)Relief panel
入馆年号1932年,32.143.6
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 883 - 公元前 859
创作地区
分类
尺寸高 92 1/4 x 宽 95 1/2 x 深 4 1/4 英寸 (234.3 x 242.6 x 10.8 厘米)
介绍(中)这幅浮雕出自亚述国王亚述纳西尔帕尔二世(约公元前 883-859 年在位)的宫殿,描绘了一个超自然的保护人物和一个凡人的亚述朝臣。两个比真人大小更大的人物被雕刻成低浮雕。该面板加入了第二个浮雕(32.143.4,请参阅上面的"其他图像"),显示了国王和第二个朝臣。两幅画一起展示了国王和他的人类朝臣。这里的长着翅膀的身影构成了类似的邻近场景的一部分,这一次国王的两侧是神圣的保护者。

这个有翅膀的人头人物戴着一顶有角的皇冠——一种传统的美索不达米亚神圣地位的标志——和装饰着玫瑰花结的手镯,以及臂章、珠子项链和大吊坠耳环。他穿着一件长流苏和流苏披肩的束腰外衣,从胸前可以看到两把刀的装饰手柄。衣服上的刺绣由袖子末端和披肩边缘附近的风格化植物图像的精细切割图案代表。裸露的小腿和夸张的肌肉组织在许多亚述和巴比伦对神圣和英雄人物的描绘中可见一斑。这个人物左手拿着一个小桶,右手拿着一个类似松果的物体。这个锥体被亚述人称为"净化器",似乎被用来从桶里洒圣水,可能与椰枣树的人工施肥有象征意义。水桶本身被切开,图像上有两个微型的有翼人物在做同样的动作,不是朝向国王,而是朝向中央的"神树"和与亚述主神亚述相关的有翼圆盘。

浮雕上的第二个人物是人类,他没有胡须的形象表明他很可能是一个太监。他穿着华丽,戴着珠宝,包括玫瑰花结手镯、臂章、珠子项圈,可能是半宝石,带有金垫片、吊坠耳环和新月形胸肌。他携带多种武器:一把弓,一个装满箭的箭袋,一把带有玫瑰花头的狼牙棒,以及一把剑,剑鞘末端在两只狮子的身体上。除了剑之外,这些武器不是他自己的,而是属于国王的。朝臣被描绘成一个持枪者,从这个意义上说,他是国王的仆人,但这个职位是一种象征性的权威,象征着与国王的亲密关系,实际上所描绘的人物可能是阿舒尔纳西尔帕宫廷中最高级的人物之一。

西北宫的一个显着特征是所谓的标准铭文,它贯穿每个浮雕的中间,经常穿过图像。铭文以楔形文字雕刻,用阿卡德语的亚述方言书写,列出了宫殿建造者阿舒尔纳西尔帕尔二世(公元前 883-859 年在位)的成就。在给出他的祖先和皇室头衔之后,标准铭文描述了阿舒尔纳西尔帕尔在东西方的成功军事行动以及他在尼姆鲁德的建筑工程,最重要的是宫殿本身的建造。铭文被认为具有神奇的功能,有助于国王和宫殿的神圣保护。
介绍(英)This relief, from the palace of the Assyrian king Ashurnasirpal II (r. ca. 883-859 B.C.), depicts a supernatural protective figure and a mortal Assyrian courtier. The two larger-than-life-sized figures are carved in low relief. This panel joins a second relief (32.143.4, see ‘Additional Images’ above) that shows the king and a second courtier. Together, the two panels show the king flanked by his human courtiers. The winged figure here formed part of a similar neighboring scene, this time with the king flanked by divine protectors.

The winged human-headed figure wears a horned crown - a traditional Mesopotamian marker of divine status - and bracelets adorned with rosettes, as well as armbands, a necklace of beads, and large pendant earrings. He wears a tunic with long tassels and a fringed shawl, emerging from which at chest level can be seen the decorated handles of two knives. Embroidery on the clothes is represented by fine incised patterns of stylized plant imagery at the ends of the sleeves and near the fringe of the shawl. The exposed lower leg with exaggerated musculature is seen in many Assyrian and Babylonian depictions of divine and heroic figures. The figure holds a small bucket in his left hand, and in his right an object resembling a pine-cone. This cone, called by the Assyrians a "purifier," seems to have been used to sprinkle holy water from the bucket, and may have had a symbolic association with the artificial fertilization of date-palm trees. The bucket itself is incised with the image two miniature winged figures performing the same act, not toward the king but toward a central 'sacred tree' and the winged disk associated with Assyria's chief god Ashur.

The second figure on the relief is human, and his beardless image indicates that he is probably a eunuch. He is richly dressed, with jewelry including rosette bracelets, armbands, a collar of beads, probably of semiprecious stone with gold spacers, pendant earrings, and a crescent-shaped pectoral. He carries multiple weapons: a bow, a quiver filled with arrows, a mace with a rosette-head, and a sword whose scabbard ends in the bodies of two lions. With the possible exception of the sword, these weapons are not his own but belong to the king. The courtier is shown as an arms-bearer, and in this sense the king's servant, but the position was one of symbolic authority, signifying closeness to the king, and in reality the figure depicted was probably one of the most senior figures in Ashurnasirpal's court.

A distinctive feature of the Northwest Palace is the so-called Standard Inscription that ran across the middle of every relief, often cutting across the imagery. The inscription, carved in cuneiform script and written in the Assyrian dialect of the Akkadian language, lists the achievements of Ashurnasirpal II (r. 883–859 B.C.), the builder of the palace. After giving his ancestry and royal titles, the Standard Inscription describes Ashurnasirpal’s successful military campaigns to east and west and his building works at Nimrud, most importantly the construction of the palace itself. The inscription is thought to have had a magical function, contributing to the divine protection of the king and the palace.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。