带有两个人和动物头涂鸦的浮雕碎片 - 美国大都会艺术博物馆展品查阅

品名（中）	带有两个人和动物头涂鸦的浮雕碎片
品名（英）	Relief fragment with graffiti of two humans and animal heads
入馆年号	1945年，45.11.17
策展部门	古代近东艺术（Ancient Near Eastern Art）
创作者
创作年份	公元前 525 - 公元前 500
创作地区
分类
尺寸	2 5/16 英寸 × 6 英寸 × 2 5/16 英寸 (5.9 × 15.2 × 5.8 厘米)
介绍（中）	阿契美尼德时期的不朽艺术和建筑最好的例证是波斯波利斯遗址，这是帝国的大型礼仪首都，最初由大流士一世（公元前521年至486年在位）建造，并由他的继任者扩建。波斯波利斯位于伊朗西南部法尔斯省设拉子西北30英里处。在那里，像"百柱大厅"和"大流士和薛西斯的王座室"这样的建筑展示了阿契美尼德宫殿建筑的特点——大型方形房间，天花板由许多柱子支撑。王座室中的一些柱子已经重建，高超过六十五英尺在波斯波利斯发现的艺术不仅限于宏伟的、皇家委托的作品。在较小的范围内，涂鸦在网站上很常见。这些次要的铭文和草图大多集中在大流士（或塔查拉）的宫殿和哈雷姆建筑中。这个碎片是在与大流士同名的宫殿西入口处发现的描绘大流士的浮雕中脚部的一部分。这件作品被故意移除，因为它的光滑表面上有一个明显保存完好的涂鸦例子。描绘了两个留着胡子的男人，一个狮子的头和一部分狮子的身体，反映了希腊绘画花瓶的典型形象。这幅画细腻的线条是用一个非常精细的点刻出来的。这些切口出现在一层红紫色的油漆下面，这证实了公元前6世纪晚期的日期，并表明这幅插图是由一位在该遗址施工阶段工作的艺术家完成的。
介绍（英）	The monumental art and architecture of the Achaemenid period are best exemplified by the ruins of Persepolis, the large ceremonial capital of the empire originally built by Darius I (r. 521–486 B.C.) and expanded by his successors. Persepolis is located thirty miles northwest of Shiraz in the southwest Iranian province of Fars. There, structures like the "Hall of One Hundred Columns" and the "Throne Room of Darius and Xerxes" exhibit features characteristic of Achaemenid palace architecture—large square rooms, with ceilings supported by many columns. Some of the columns in the Throne Room have been reconstructed and stand more than sixty-five feet high. The art found at Persepolis is not limited to grand, royally commissioned works. On a smaller scale, graffiti are quite common at the site. These minor inscriptions and sketches are mostly concentrated in the palace of Darius (or Tachara) and the Harem building. This fragment is part of the foot from a relief depicting Darius found inside the western entrance of his namesake palace. The piece was removed deliberately because it features a distinctly well-preserved example of graffiti on its smooth surface. Two bearded men, a lion’s head and part of a lion’s body are depicted, and reflect imagery typical of Greek painted vases. The delicate lines of the drawing were incised using a very fine point. The incisions appear below a layer of reddish purple paint which confirms a late 6th century B.C. date, and indicates that this illustration was completed by an artist working at the site during a phase of its construction.