列奥尼达在温泉关 - 美国大都会艺术博物馆展品查阅

品名（中）	列奥尼达在温泉关
品名（英）	Leonidas at Thermopylae
入馆年号	1963年，63.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jacques Louis David【1748 至 1825】【法国人】
创作年份	公元 1807 - 公元 1817
创作地区	制造于: 法国（Made in: France）
分类	图画（Drawings）
尺寸	16 x 21 5/8 英寸 (40.6 x 54.9 厘米)
介绍（中）	这是大卫同一主题的大型画布的构图研究，签名日期为1814年，现藏于巴黎卢浮宫博物馆。随着他对拿破仑的委托逐渐枯竭，大卫回到了他15年前开始计划的一幅神话画上，作为萨宾妇女干预的吊坠（配对）。它描绘了传说中的斯巴达国王列奥尼达，他将与三百名士兵一起在塞莫皮莱灭亡，在那里他们的人数远远超过了薛西斯的波斯军队在这幅作品中，艺术家不断发展的想法似乎是仓促的，也许是间歇性的，从最初的苍白草图发展到在深色阴影下的强调修改。大卫使用的许多姿势和人物类型都指的是古典原型，就像大卫时期所争论的描绘古典战士裸体的做法一样。列奥尼达斯完全没有注意到周围的骚动，保持着雕像般的静止，沉浸在对士兵即将到来的牺牲的沉思中。
介绍（英）	This is a compositional study for David's large canvas of the same subject, signed and dated 1814 and today in the Musée du Louvre, Paris. As his commissions for Napoleon dried up, David returned to a mythological painting he had begun planning fifteen years earlier as a pendant (pairing) to the Intervention of the Sabine Women. It depicts the legendary Spartan king Leonidas, who would perish with three hundred soldiers at Thermopylae, where they were vastly outnumbered by the Persian army of Xerxes. In this working drawing, the artist’s evolving ideas appear laid down in a rush, perhaps intermittently, progressing from a pale initial sketch to emphatic revisions in a darker shade. Many of the poses and figural types used by David refer to classical prototypes, as does the practice—debated during David's time—of depicting classical warriors nude.emingly oblivious to the tumult swirling around him, Leonidas maintains a statuesque stillness, lost in contemplation of his soldiers’ impending sacrifice.