基督是悲哀的人 - 美国大都会艺术博物馆展品查阅

品名（中）	基督是悲哀的人
品名（英）	Christ as the Man of Sorrows
入馆年号	1997年，1997.372
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Frans Crabbe van Espleghem【1480 至 1553】【荷兰人】
创作年份	公元 1510 - 公元 1530
创作地区
分类	印刷品（Prints）
尺寸	4 5/16 x 3 1/4 英寸 (10.9 x 8.2 厘米)
介绍（中）	基督不自然扭曲的形象是克拉布作品的典型代表，它将中世纪荷兰风格惯例和古典文艺复兴原则巧妙地融合在一起。在这幅比例适中但极具力量的雕刻中，基督，在传统的虔诚描绘中，坐在坟墓的边缘，紧紧抓住十字架的底部。柱子和鞭笞，他鞭笞的象征就在身后。克拉布通过并列的图案来区分形式：基督身体上的阴影、十字架上起伏的纹路，以及坟墓边缘的点画表面。因此，在艺术家仍在试验蚀刻技术的时候，他创造了一个印刷线可以产生的各种色调和纹理的范例。虽然构图的抽象性及其激动人心的图案——尤其是腰布的无数褶皱——让人联想到晚期哥特式艺术，但基督沉思和肌肉发达的身体的源头可以追溯到德国大师阿尔布雷希特·杜勒（Albrecht Dürer），他的版画在整个北欧流传。迪勒很可能在1521年访问克拉布的故乡梅赫伦时遇到了克拉布。克拉布的作品非常罕见；这幅版画只在另一个印象中被人熟知（芝加哥艺术学院）。
介绍（英）	Christ's unnaturally contorted figure typifies Crabbe's work in its peculiar melding of medieval Netherlandish stylistic conventions and classical Renaissance principles. In this modestly proportioned yet immensely powerful etching, Christ, in a traditional devotional portrayal, sits at the edge of a sepulchre, clutching the base of the cross. The column and the scourge, symbols of his flagellation loom behind. Crabbe distinguished forms by juxtaposing patterns: the hatching on Christ's body, the undulating grain of the cross, and the stippled surface of the edge of the tomb. Thus, at a time when artists were still experimenting with the etching technique, he created an exemplar of the varied tones and textures that the printed line can produce. While the abstraction of the composition and its agitated patterning--in particular in the loincloth's myriad folds--are reminiscent of late Gothic art, the source of Christ's pensive ose and muscular body can be traced to the German master Albrecht Dürer, whose prints were circulating throughout northern Europe. Dürer probably met Crabbe during a visit to the latter's native city of Mechelen in 1521. Crabbe's works are very rare; this print is known in only one other impression (Art Instittute of Chicago).