基督向抹大拉的马利亚显现 - 美国大都会艺术博物馆展品查阅

品名（中）	基督向抹大拉的马利亚显现
品名（英）	Christ Appearing to Mary Magdalen
入馆年号	1957年，57.32.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Master of the Drapery Studies【1470 至 1500】【德国人】
创作年份	公元 1485 - 公元 1495
创作地区
分类	图画（Drawings）
尺寸	9 7/8 x 6 5/8 英寸 (25.1 x 16.8 厘米)
介绍（中）	尽管这位戏剧研究大师的名字尚未确定，但从他幸存的彩色玻璃窗和绘画作品中可以清楚地看出，他在15世纪最后四分之一的上莱茵河艺术以及整个德国早期绘画史上都是一位关键人物。他在斯特拉斯堡很活跃，他似乎也在那里接受过训练。这位艺术家现存的绘画作品大约有一百五十幅，这是一位早期北欧大师的最大作品集，这些作品和他的彩色玻璃窗一样，风格非常独特。正如在这张纸上看到的那样，用笔尖很细的笔勾勒轮廓和阴影，以及灰色的水洗造型，都是他晚期风格的典型。从构图的完整状态和意气风发的钢笔作品来看，这幅画可能是这位艺术家罕见的独立创作之一，而不是像更常见的情况那样，对另一位大师的原型进行重新创作。
介绍（英）	Although the Master of the Drapery Studies has not yet been identified by name, it is clear from his surviving stained-glass windows and drawings that he was a critical figure in Upper Rhenish art during the last quarter of the fifteenth century and in the history of early German drawing in general. He was active in Strasbourg, where he also appears to have received his training. There are about one hundred and fifty extant drawings by this artist—the largest corpus by an early northern European master—and these, like his stained-glass windows, are highly distinctive in style. As is seen in this sheet, the use of a fine tipped pen for the outlines and hatching, as well as the gray wash modeling, are typical of his late style. Judging from the complete state of the composition and the spirited pen work, this drawing may be among the rare independent creations by the artist, rather than, as is more often the case, a reworking of another master's prototype.