审查员 - 美国大都会艺术博物馆展品查阅

品名（中）	审查员
品名（英）	The Censer
入馆年号	1926年，26.41
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Martin Schongauer【1435 至 1491】【德国人】
创作年份	公元 1470 - 公元 1491
创作地区
分类	印刷品（Prints）
尺寸	Mat: 19 1/4 x 14 5/16 英寸 (48.9 x 36.3 厘米) 页: 10 11/16 x 8 1/8 英寸 (27.1 x 20.7 厘米)
介绍（中）	尽管作为一名画家，马丁·勋格尔（Martin Schongauer）受过训练，也很活跃，但他的版画无疑是他对艺术史最重要的贡献。他的作品大部分是宗教题材，但他也关注风俗场景、动物肖像、纹章，以及不时出现的装饰和设计。Crozier（主教的幕僚）和Censer是他在这一领域的两大杰作，让我们想起了他的家族在金匠工作领域的参与。特别是Censer，以其生动的三维表现而闻名，例如，在印刷品左侧的链条上的华丽垂坠。这个物体的生命般的品质让一些人认为，Schongauer可能是在寻找一个现有的香炉，而不是将一个新的想法写在纸上。然而，这样的模型并没有幸存下来，我们不能排除这样一种想法，即我们在这里被Schongauer作为一名绘图员和印刷师的精通所误导。
介绍（英）	Although trained and active as a painter, Martin Schongauer’s engravings are undoubtedly his most important contribution to the history of art. The larger part of his oeuvre consists of religious subjects, but he also focused on genre scenes, animal portraits, heraldry, and, from time to time, ornament and design. The Crozier (bishop’s staff) and The Censer are two of his masterpieces in this area, and remind us of his family’s involvement in the field of goldsmith’s work. The Censer, in particular, is celebrated for its vivid three-dimensional rendition, displayed for example in the magnificent draping of the chains on the left side of the print. The life-like qualities of the object have led some to suggest that Schongauer might have been working after an existing censer, rather than trusting a new idea to paper. Such a model has not survived, however, and we cannot exclude the idea that we are here misled by Schongauer’s mastery as a draftsman and printmaker.