风景中的两个星期 - 美国大都会艺术博物馆展品查阅

品名（中）	风景中的两个星期
品名（英）	Two Satyrs in a Landscape
入馆年号	1999年，1999.28
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Titian (Tiziano Vecellio)【1485 至 1576】【意大利人】
创作年份	公元 1500 - 公元 1510
创作地区
分类	图画（Drawings）
尺寸	8-1/2 x 5-15/16 英寸 (21.6 x 15.1 厘米)
介绍（中）	形式和表达在这里完全和谐，创造了威尼斯文艺复兴时期绘画的伟大而罕见的例子之一。现存的只有35到40幅提香的画，尽管他是一位孜孜不倦的多产画家。这幅著名的画作属于提香作品的早期，与 1509 年左右绘制的香槟音乐会（巴黎卢浮宫博物馆）相差不远。对景观的精神和物理形式的渲染的关注是威尼斯艺术这一伟大时期的核心。提香对笔墨技术的运用是精美的绘画，具有多样且自由应用的笔触和发光的白色水粉的小点，为场景赋予运动、纹理和色调统一。他对钢笔的精湛掌握无处不在，从具有明暗对比的广泛雕塑效果构建的前景人物，到背景景观，其中建筑和自然的形式不可言喻地溶解在遥远的地平线雾霾中。绘画的诗意品质是通过这种微妙的技巧和某种难以捉摸的情绪来实现的。两个色狼交织在一起，但远远地望向远方，超越了右边显眼的占星盘。（卡门·班巴赫，2014）
介绍（英）	Form and expression are brought here into full harmony to create one of the great and rare examples of Venetian Renaissance drawing. Only 35 to 40 drawings attributable to Titian are extant, although he was a tirelessly prolific painter. This famous drawing belongs to an early moment in Titian’s work, not far removed from that of the Concert Champêtre (Musée du Louvre, Paris), which was painted around 1509. The concern for rendering both, the spirit and the physical form, of landscape is central to this great period of Venetian art. Titian's use of the pen-and-ink technique is exquisitely pictorial, with varied and freely applied strokes and small dabs of luminous white gouache, lending movement, texture, and tonal unity to the scene. His superb mastery of the pen is everywhere apparent, from the foreground figures built with broadly sculptural effects of chiaroscuro, to the background landscape in which the forms of architecture and nature ineffably dissolve in the distant haze of the horizon. The poetic quality of the drawing is achieved through this subtlety of technique and a certain elusiveness of mood. The two satyrs are entwined, but look away into the distance beyond the astrological disk prominently displayed at the right. (Carmen C. Bambach, 2014)