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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)十字弓(半装甲),带人体模型(绕线机)
品名(英)Crossbow (Halbe Rüstung) with Cranequin (Winder)
入馆年号1914年,14.25.1574a, b
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1550 - 公元 1675
创作地区原产国: 可能是德国(Country of Origin: probably Germany)
分类射箭装备十字弓(Archery Equipment-Crossbows)
尺寸crossbow, 长 24 3/16 英寸 (63 厘米); 宽 23 7/16 英寸 (59.5 厘米); 重 8 磅 7 盎司 (3,775 g); cranequin, 长 13 3/4 英寸 (34.8 厘米); 宽 4 1/8 英寸 (10.4 厘米); 重 5 磅 11 盎司 (2,567 g).
介绍(中)这把弩的直胡桃木柄上镶嵌着鹿角,呈交错的系带图案;上下两面饰有鹿角,上面刻有面具和系带。大约在坯料中间的是螺母,即带有两个切口的枢轴式骨圆柱,一个用于弦,另一个用于座椅,还有一个用于螺栓对接的切口。紧挨着螺母后部的是可垂直和水平调节的折叠式窥视镜。更靠后的是一个横向销钉,用作收卷机的休息部分。从枪托端起一只手的宽度是一个插入的黄铜拇指托。释放机构是双重的,一个长杆和一个带三个前发扣的扳机,可以通过将销钉插入枪托上的固定孔来设置。折叠式扳机在操纵杆下面

扳机正前方是一个安全转环。释放螺母由八股绑在枪托上的麻线固定。钢弓用沉重的麻绳绑在枪托分叉的前端,麻绳还固定着一个悬挂环。绿色羊毛绒球被附在弓上作为装饰(Aufputz

在整个中世纪,弩是使用最广泛的导弹武器,通过英国长弓在现代浪漫主义文学中得到了更多的普及。由于其钢弓的非凡强度,弩具有卓越的穿透力和几乎无法被现代步枪超越的精度。它的"拉力"可能是长弓的十倍,因此必须用机械方式架设。因此,它的射击速度比长弓慢得多,但由于弓箭手和弓箭手在战斗中都只携带有限的导弹——通常是24支箭——快速射击可能意味着弹药过快耗尽。早期的弩有由层压的角或鲸须制成的弓;钢弓是从15世纪后期开始引入的,当时技术已经足够先进,可以生产出有弹性的钢

1517年,根据马克西米利安皇帝的命令,弩在德国被正式废除为军事武器,尽管它仍在其他国家使用,例如西班牙,科尔特斯和皮萨罗在征服墨西哥(1519-21)和秘鲁(1532-33)时用弩武装了他们的士兵。尽管用于军事目的的枪支变得越来越有效,但弩因其无声释放和无后座力而被视为狩猎武器。这解释了直弩的设计,它轻轻地靠在脸颊上,不需要靠在肩膀上

最实用的重型弩扳手是起重机,由齿条和带手柄的减速装置组成。齿轮箱通常几乎是圆形的,下面绑着一圈沉重的麻绳。这个环将滑过弩托的对接端,并靠在释放机构后部的横向销钉上。齿条的双爪,在伸出位置,将滑过弓弦,通过转动齿轮手柄将其拉回。这台收卷机的传动比是十二比一

齿条和齿轮箱上刻有花卉卷轴和海怪;爪子旁边印着制造商的标记:一个盾牌形状,包着一个钱包,上面镶嵌着首字母I和K,两侧是1562年的日期。

将"拉力"约为125磅的轻弩倒置放置在地上,就可以跨越。弓箭手会蹲下,把一个爪状的钩子挂在绳子后面的腰带上,然后站起来,直到绳子进入螺母(大腿肌肉是人体最强壮的肌肉,手臂肌肉无法施加必要的压力)。另一种跨越轻弩的方法是用"山羊脚杠杆",它有一个长臂,上面铰接着一个短叉。长臂的前端钩在枪托前端的一个环中,铰接的叉靠在绳子上。通过向后拉长臂,使叉子将绳子移动到锁定位置。驻扎在城堡城墙城墙上的超大弩用起锚机、爪子和滑轮架设。然而,在开放领域,这一系统并不实用,尽管它仍然受到历史小说作家的喜爱,他们希望强调敏捷的长弓手和笨重的弩手之间的区别。
介绍(英)The straight walnut stock of this crossbow is inlaid with staghorn in an interlaced pattern of strapwork; upper and lower faces are veneered in staghorn engraved with masks and strapwork. Approximately in the middle of the stock is the nut––the pivoted bone cylinder with two cutouts, one for the string and one for the sear––and also a notch for the butt of the bolt. Directly to the rear of the nut is the folding peep sight, adjustable vertically and horizontally. Farther back is a transverse peg, which serves as the rest for the winder. A hand's breadth from the butt end is an inserted brass thumb rest. The release mechanism is double, a long lever and a hair trigger with three forward sears which can be set by inserting a peg through a set-hole in the stock. The folding hair trigger is under the lever.

Directly in front of the trigger is a safety swivel. The release nut is secured by eight strands of hemp thread bound around the stock. The steel bow is lashed to the forked forward end of the stock by heavy hemp cords, which also hold a suspension ring. Pompoms of green wool are attached to the bow as decoration (Aufputz).

Throughout the Middle Ages the crossbow was the most widely used missile weapon, through the English longbow has been much more popularized in modern romantic literature. Due to the extraordinary strength of its steel bow, the crossbow had superior penetration power and an accuracy barely surpassed by the modern rifle. It could have up to ten times the "pull" of a longbow, and therefore had to be spanned mechanically. As a consequence, its shooting speed was much slower than that of a longbow, but since both archers and crossbowmen carried only a limited supply of missiles––usually twenty-four arrows––into battle, shooting quickly might mean running out of ammunition too fast. Early crossbows had bows made of laminated horn or whalebone; steel bows were only introduced from the late fifteenth century onward, when technology was sufficiently advanced to produce good springy steel.

The crossbow was officially abolished as a military weapon in Germany in 1517 by order of Emperor Maximilian, though it was still used in other countries, as for instance Spain where Cortez and Pizarro armed their men with crossbows for the conquests of Mexico (1519–21) and Peru (1532–33). Though for military purposes firearms became more and more efficient, crossbows were prized as hunting weapons because of their silent release and the absence of a recoil. This explains the design of a straight crossbow stock, which was held lightly against the cheek and did not need to be braced against the shoulder.

The most practical spanner for heavy crossbows was the cranequin, consisting of a rack and reduction gear with handle. The gear box is usually almost circular, with a heavy loop of hemp rope attached to the underside. This loop would be slipped over the butt end of the crossbow stock and brought to rest against the transverse pegs to the rear of the release mechanism. The double claw of the rack, in extended position, would be slipped over the bow string, to be pulled back by turning the handle of the gears. The gear ratio of this winder is twelve to one.

Rack and gear housing are etched with floral scrolls and sea monsters; next to the claw is stamped the mark of the maker: a shield shape enclosing a purse surmounted by the initials I and K, inlaid in brass, and flanked by the date 1562.

Light crossbows with a "pull" of around 125 pounds could be spanned by setting them on the ground upside down. The crossbowman would squat down, place a claw-like hook attached to his belt behind the string and stand up until the string would rest into the nut (the thigh muscles are the strongest muscles in the human body, the arm muscles would not be able to exert the necessary pressure). Another way of spanning light crossbows was with a "goat's-foot lever," which had a long arm with a short fork hinged to it. The forward end of the arm was hooked into a ring at the fore-end of the stock, and the hinged fork set against the string. By pulling back the long arm the fork was made to move the string into the locking position. Oversize crossbows stationed on ramparts of castle walls were spanned with windlasses, using claws and pulleys. In the open field, however, this system was not practical, though it is still beloved by writers of historical novels who want to stress the differences between agile longbowmen and cumbersome crossbowmen.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。