圣母崇拜基督儿童的构图草图，有和没有婴儿施洗者圣约翰；透视投影图（正面）；轻微涂鸦（反面） - 美国大都会艺术博物馆展品查阅

品名（中）	圣母崇拜基督儿童的构图草图，有和没有婴儿施洗者圣约翰；透视投影图（正面）；轻微涂鸦（反面）
品名（英）	Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
入馆年号	1917年，17.142.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Leonardo da Vinci【1452 至 1519】【意大利人】
创作年份	公元 1480 - 公元 1485
创作地区
分类	图画（Drawings）
尺寸	7 5/8 x 6 3/8 英寸 (19.3 x 16.2 厘米)
介绍（中）	在这些令人眼花缭乱的圣母跪在躺在地上的圣婴面前的令人眼花缭乱的素描中，莱昂纳多调查了一个主题，他也将在岩石圣母（巴黎卢浮宫博物馆和伦敦国家美术馆）中使用，其中圣母跪在面向观众，她的右手举起以保护坐着的婴儿耶稣。中间的构图最接近岩石圣母。然而，这些草图似乎与达芬奇 1483-85 年左右的一幅未记录的画作更密切相关，这幅画必须至少被带到完整卡通（全尺寸绘画）的阶段;这幅作品的几个当代绘画副本幸存下来。莱昂纳多在工作表上探索了同一主题的许多解决方案，令人眼花缭乱。他使用传统的十五世纪金属点媒介，但用笔和墨水加强阴影以获得更深的色调对比。右下角的几何结构代表了他试图根据观众的有利位置在构图中计算出透视的尝试。（卡门·班巴赫）
介绍（英）	In these dazzling sketches of the Virgin kneeling in humility before the Christ Child, who lies on the ground, Leonardo investigated a theme that he would also use in the Virgin of the Rocks (Musée du Louvre, Paris; and National Gallery, London), in which the Virgin kneels facing the spectator, her right hand raised in protective blessing over the seated Infant Jesus. The composition in the center is closest to the Virgin of the Rocks. These sketches, however, seem more closely related to an undocumented painting from around 1483-85 by Leonardo that must have been brought at least to the stage of a complete cartoon (full-scale drawing); several contemporary painted copies of this composition survive. Leonardo explored a number of solutions to the same theme on the sheet with dazzling fluency. He used the traditional fifteenth-century medium of metalpoint but reinforced the shadows with pen and ink for a deeper tonal contrast. The geometric constructions at the lower right represent his attempts to work out the perspective within the composition, with respect to the spectator's vantage point. (Carmen C. Bambach)