马 - 美国大都会艺术博物馆展品查阅

品名（中）	马
品名（英）	Horses
入馆年号	1880年，80.3.318
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Parmigianino (Girolamo Francesco Maria Mazzola)【1503 至 1540】【意大利人】
创作年份	公元 1530 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	5 3/4 x 7英寸 (14.6 x 17.8厘米)
介绍（中）	这张纸之前被分配给了17世纪的意大利艺术家弗朗切斯科·阿莱格里尼，基于风格考虑，它被重新分配给了一位生活在一个多世纪前的主要艺术家。围栏的处理方式和马匹的解剖类型完全是Parmigianino的特征。Parmigianino在蚀刻针方面的经验——他是最早制作蚀刻画的意大利艺术家之一——导致他在晚期的绘画中非常有控制力、敏锐地使用了笔，尤其是1530年左右他回到帕尔马后创作的那些。博物馆的图纸很好地体现了这种晚期的技术。Parmigianino最为人所知的是他的风格主义形象，尤其是他奇妙的伸展：在他的一张照片中，一匹脖子异常长的马在一份旧清单中被错误地描述为长颈鹿。作为一名多产的绘图员，他也在生前画画，就像本研究中的情况一样。
介绍（英）	Previously assigned to a seventeenth-century Italian artist, Francesco Allegrini, the sheet has been reattributed, based on stylistic considerations, to a major artist who lived more than a century earlier. The handling of the pen and the anatomical type of the horses are entirely characteristic of Parmigianino. Parmigianino's experience with the etcher's needle -he was among the first Italian artists to make etchings - led to a very controlled, incisive use of pen in his late drawings, especially those he made after he returned to Parma around 1530. This late technique is nicely exemplified by the Museum's sheet. Parmigianino is best known for his Mannerist imagery, in particular, his fantastic elongations: a horse with an unusually long neck in one of his pictures was mistakenly described in an old inventory as a giraffe. A prolific draftsman, he also drew after life, as seems to have been the case with the present study.