帕里斯的审判 - 美国大都会艺术博物馆展品查阅

品名（中）	帕里斯的审判
品名（英）	The Judgment of Paris
入馆年号	1963年，63.96
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Alessandro Allori【1535 至 1607】【意大利人】
创作年份	公元 1583
创作地区
分类	图画（Drawings）
尺寸	14-7/16 x 18-11/16 英寸 (36.6 x 47.4 厘米)
介绍（中）	1540年父亲去世后，年轻的亚历山德罗·阿洛里被布朗齐诺（1503-1572）收养，成为他的学生，也是他优雅的礼仪主义词汇的重要传播者。1583年3月30日，这幅精美的大型作品被交付给佛罗伦萨织布工贝内德托·斯奎利（Benedetto Squilli），所有细节都很完整，是四幅代表巴黎和迪斯科金苹果故事的挂毯漫画之一的示范画。这些挂毯可能是为位于Poggio a Caiano的美第奇别墅设计的，并于同年6月4日完工。阿洛里在这里的绘画技巧和媒介与布朗齐诺对约瑟夫（1549-1553）生平挂毯漫画的研究非常相似。在这张照片中，帕里斯坐在右边，左手拿着一个大苹果，而中间几乎裸体的大步走着的水星转向左边的三位女神——金星、朱诺和米涅瓦——她们即将为比赛脱衣服。左上角显示了以下三位女神的特征：密涅瓦的猫头鹰、朱诺的孔雀和金星的天鹅战车。
介绍（英）	On his father's death in 1540, the young Alessandro Allori was adopted by Bronzino (1503-1572), becoming his pupil and a significant disseminator of his elegant Mannerist vocabulary. This delicately finished large composition, complete in all details, served as a modello (demonstration drawing) for one of four tapestry cartoons representing the story of Paris and the Golden Apple of Discord, that were delivered to the Florentine weaver Benedetto Squilli on March 30, 1583. The tapestries were probably intended for the Medici Villa at Poggio a Caiano, and were finished by June 4 of the same year. Allori's drawing technique and medium here closely resemble those in Bronzino's studies for tapestry cartoons on the life of Joseph (1549-1553). Here, Paris is seated at right holding a large apple in his left hand, while the striding, nearly nude Mercury at center turns to present the three goddesses at left -- Venus, Juno, and Minerva -- who are about to shed their clothing for the contest. Displayed at upper left are the attributes that identify the three goddesses below: the owls of Minerva, the peacocks of Juno, and the swan-drawn chariot of Venus.