裸体男性坐在地上 - 美国大都会艺术博物馆展品查阅

品名（中）	裸体男性坐在地上
品名（英）	Nude Male Figure Seated on the Ground
入馆年号	1968年，68.78
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Amico Aspertini【1474 至 1552】【意大利人】
创作年份	公元 1530 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	整体: 9 3/4 x 14 5/16英寸 (24.8 x 36.4厘米) Mount: 16 x 22 英寸 (40.6 x 55.9 厘米)
介绍（中）	这尊雕像摆在一个饰有扇形帷幔的架子状投影上，可能是阿斯佩蒂尼据说在博洛尼亚完成的众多单色立面装饰之一（Vasari 1568，第5卷，第179-180页）。背景中显示的芦苇或长草可能是为了识别这个人物是河神。粗壮、粗颈的体型是阿斯佩蒂尼的典型，但在这里，这个人物被赋予了某种不朽的高贵。在人物类型和执行技巧方面，大都会博物馆的图纸与Gabinetto Disegni e Stampe degli Uffizi（inv.1269 F）中的一张图纸有关，其中倾斜的男性裸体人物面朝右。人物肩上华丽的窗帘和作品背景中树叶的指示表明，这两幅作品可能是对相同或相似的立面装饰的研究。从风格上看，博物馆的绘画和乌菲齐的绘画可以追溯到15世纪30年代末。
介绍（英）	The figure, posed on a shelf like projection ornamented with a scalloped valance, may be studied for one of the many monochrome façade decorations that Aspertini is said to have executed, above all in Bologna (Vasari 1568, vol. 5, pp. 179-180). The reeds or long grasses indicated in the background are possibly intended to identify the figure as a river god. The stocky, thick-necked physical type is typical of Aspertini, but here the figure is invested with a certain monumental nobility. In figural type and technique of execution, the Metropolitan Museum drawing relates to a sheet in the Gabinetto Disegni e Stampe degli Uffizi (inv. 1269 F), in which the reclining male nude figure faces right. The flourish of drapery over the figures' shoulders and the indication of foliage in the background of the compositions suggest that both drawings may be studies for the same or similar façade decorations. Stylistically, the Museum's drawing and that in the Uffizi can be dated in the late 1530s.