各种女性和男性人物的人物研究（直肠）；维纳斯花园里的三个情人（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	各种女性和男性人物的人物研究（直肠）；维纳斯花园里的三个情人（verso）
品名（英）	Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
入馆年号	1972年，1972.133.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Agostino Carracci【1557 至 1602】【意大利人】
创作年份	公元 1600 - 公元 1602
创作地区
分类	图画（Drawings）
尺寸	页: 11 3/16 x 15 13/16 英寸 (28.4 x 40.1 厘米)
介绍（中）	阿戈斯蒂诺是更着名的安尼巴莱的哥哥，他首先在他们的家乡博洛尼亚与他们的表弟洛多维科合作，三人在那里创办了一所强调自然研究的艺术学院。今天，阿戈斯蒂诺最出名的可能是大约两百幅版画的作者。他是一位优秀的画家和多才多艺的版画家，曾短暂前往威尼斯和帕尔马，并于 1598 年在罗马协助他的兄弟在法尔内塞宫绘制壁画。这张带有生动素描的纸张以前由法国收藏家皮埃尔-让·玛丽埃特拥有，是为壁画周期中的人物做准备，这些人物讲述了阿戈斯蒂诺于 1600-1602 年在帕尔马贾尔迪诺宫的爱之厅拱顶上为拉努乔一世法尔内塞绘制的佩琉斯和忒提斯的古典神话。正如这里所看到的，在他生命的尽头，阿戈斯蒂诺的形象词汇达到了古典的宏伟。米开朗基罗大理石雕塑《美第奇教堂之夜》的优雅引述，中间斜倚的裸体女性是海仙女忒提斯在斯基拉和夏里布迪斯之间引导阿尔戈的早期想法。纸张左上角的男性轮廓是佩琉斯和忒提斯婚姻中佩琉斯形象的研究。阿戈斯蒂诺在完成他为爱之厅计划的壁画周期之前就去世了。在维也纳的阿尔贝蒂娜和温莎皇家图书馆都有关于这些壁画的进一步笔研究（见Mahon，1963年，第63-64号）。阿戈斯蒂诺·卡拉奇（Agostino Carracci）用笔墨绘制的双面素描，现藏于汉堡汉堡美术馆（Kupferstichkabinett，第1974/68号），其中有几幅关于忒蒂斯骑海豚的研究。
介绍（英）	Agostino, the older brother of the more famous Annibale, first collaborated with their cousin Lodovico in their native Bologna, where the three founded an art academy that emphasized the study of nature. Today, Agostino is perhaps best known as the author of some two hundred prints. A fine painter and an accomplished printmaker, he traveled briefly to Venice and Parma and by 1598 was in Rome to assist his brother on frescoes in the Palazzo Farnese. Previously owned by the French collector Pierre-Jean Mariette, this sheet with lively sketches was preparatory for figures in a fresco cycle narrating the classical myth of Peleus and Thetis that Agostino painted for Ranuccio I Farnese on the vault of the Sala dell'Amore at the Palazzo del Giardino in Parma in 1600-1602. Toward the end of his life, as seen here, Agostino's figural vocabulary achieved a classical grandeur. An elegant quotation of Michelangelo's marble sculpture of Night in the Medici Chapel, the reclining nude female at center is an early idea for the sea nymph Thetis as she guides the Argo between Scylla and Charybdis. The male profile at the upper left of the sheet is a study for the figure of Peleus in the Marriage of Peleus and Thetis. Agostino died before he could finish the fresco cycle that he had planned for the Sala dell'Amore. There are further pen studies for these frescoes in the Albertina, Vienna, and in the Royal Library at Windsor (for which see Mahon, 1963, nos. 63-64). A double-sided sheet of sketches made with pen and ink by Agostino Carracci and now in the Hamburger Kunsthalle, Hamburg (Kupferstichkabinett, inv. no. 1974/68) features several studies for the group of Thetis riding a dolphin.