圣母玛利亚与圣玛蒂娜 - 美国大都会艺术博物馆展品查阅

品名（中）	圣母玛利亚与圣玛蒂娜
品名（英）	The Virgin and Child with Saint Martina
入馆年号	1979年，1979.3
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pietro da Cortona (Pietro Berrettini)【1596 至 1669】【意大利人】
创作年份	公元 1596 - 公元 1669
创作地区
分类	图画（Drawings）
尺寸	9 5/8 x 12 3/8英寸 (24.5 x 31.5厘米)
介绍（中）	这幅画由罗马巴洛克风格的主要艺术家彼得罗·达·科尔托纳（Pietro da Cortona）用笔墨制作，是为一幅以圣母与基督圣婴和圣玛蒂娜为主题的画作做准备，该画作现藏于沃斯堡金贝尔艺术博物馆（见AP 1984.07，布面油画，70 x 58厘米）。在这幅作品中，因拒绝崇拜偶像而被处死的三世纪烈士圣玛蒂娜凝视着圣婴，同时握着她被折磨的叉子铁钩，并接受殉道的手掌。这幅画和相关图纸的日期一般可追溯到1643-45年。科尔托纳特别致力于对罗马烈士圣玛蒂娜的崇拜，他的遗体于 1634 年在罗马圣卢卡学院教堂地下室为艺术家自己的坟墓进行挖掘时被发现。遗物的发现导致了整个教堂的重建，在科尔托纳作为建筑师的指导下，该教堂随后献给圣路加和玛蒂娜。Jörg Martin Merz（见此处参考书目）将这张纸的日期定为 1643 年，因为它在处理和制图上与摩根图书馆的第二幅预备图纸相似（inv. 1985.81）。科尔托纳为献给红衣主教弗朗切斯科·巴贝里尼的版画制作了关于这个主题的几种变体，摩根的图纸可能是准备图纸。在雕刻中，构图以相反的方式显示。（F.R.）
介绍（英）	This drawing, made in pen and ink by the leading artist of the Roman Baroque Pietro da Cortona, was preparatory for a painting featuring The Virgin with Christ Child and Saint Martina now in the Kimbell Art Museum, Fort Worth (inv. AP 1984.07, oil on canvas, 70 x 58 cm). In this composition, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom. The painting and the related drawing are generally dated to1643-45 ca. Cortona was particularly devoted to the cult of the Roman martyr Saint Martina, whose remains were found in 1634 during excavations undertaken for the artist's own tomb in the crypt of the church of the Accademia di San Luca, Rome. The discovery of the relics led to the rebuilding of the entire church, under Cortona's direction as architect, which was then dedicated to Saints Luke and Martina. Jörg Martin Merz (see here bibliography) dates this sheet to 1643 due to its similarities in handling and draftsmanship with a second preparatory drawing in the Morgan Library (inv. 1985.81). Cortona produced several variations on this subject for an engraving dedicated to Cardinal Francesco Barberini, for which the Morgan drawing may be a preparatory drawing. In the engraving the composition is shown in reverse. (F.R.)