男性裸体躯干举臂 - 美国大都会艺术博物馆展品查阅

品名（中）	男性裸体躯干举臂
品名（英）	Male Nude Torso with Raised Arms
入馆年号	1910年，10.45.3
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Parmigianino (Girolamo Francesco Maria Mazzola)【1503 至 1540】【意大利人】
创作年份	公元 1517 - 公元 1529
创作地区
分类	图画（Drawings）
尺寸	4 1/8 x 2 3/16英寸 (10.4 x 5.5厘米)
介绍（中）	波帕姆认为这幅小而精致的研究是这位艺术家在前罗马时期的画作，可能是从一尊古老的马西亚斯的弗莱因雕像上复制的。然而，这里肩膀和腋下的姿势似乎与肩膀的紧密挤压和手臂的不连贯抬起不一致，手腕被束缚在头顶上方，这是典型的Marsyas身材（见Bober和Rubinstein 1986，pls 32-4）。在Parmigianino的研究中，这个人物的姿势，躯干微微膨胀，手臂抬起，似乎更适合描绘被钉十字架的基督。指示手臂的树桩可能表明该图纸是基于蜡像草图模型绘制的。这位艺术家专注于躯干的渲染，通过用小阴影点勾勒和弯曲轮廓，将笔触无缝融合。为了形成对比，他在背景中留下了大部分明显的平行阴影。（卡门·C·班巴赫）
介绍（英）	Popham considered this small, delicately executed study a pre-Roman drawing by the artist, copied probably from an antique statue of the Flaying of Marsyas. However, the pose of the shoulders and armpit here does not seem to correspond to the tight compression of the shoulders and disjointed raising of the arms, with wrists bound above the head, that is typical of Marsyas figures (see Bober and Rubinstein 1986, pls 32-4). The figure's pose in Parmigianino's study, with a gently distended torso and raised arms, seems more appropriate for a portrayual of the crucified Christ. The stumps indicating the arms may suggest that the drawing is based on a wax sketch model. The artist concentrated on the rendering of the torso, blending the strokes seamlessly by means of stumping and inflecting the contours with small points of shadow. To provide a contrast, he left much of the parallel hatching in the background evident. (Carmen C. Bambach)