坐着的使徒和普特 - 美国大都会艺术博物馆展品查阅

品名（中）	坐着的使徒和普特
品名（英）	Seated Apostles and Putti
入馆年号	1965年，65.66.6
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Lanfranco【1582 至 1647】【意大利人】
创作年份	公元 1637 - 公元 1638
创作地区
分类	图画（Drawings）
尺寸	5 3/16 x 9 5/8英寸 (13.1 x 24.5厘米)
介绍（中）	兰弗兰科在那不勒斯的主要任务之一是1637-38年在圣马丁教堂中殿肋拱顶上绘制的壁画。在拱顶中心的圆形隔间里，兰弗兰科画了基督以天使的荣耀出现，在窗户上方的三角形隔间里，画了一群使徒、先知、锡比勒人和普提人。Walter Vitzthum在这张图中确定了其中一个三角形隔间的方案。基础广泛的三角形构图考虑了整个待画区域，而微弱的红色粉笔指示的较窄三角形表明，站在正下方的观众可以看到陡峭上升的拱顶区域。这幅画中兰弗兰科的云坐人物不仅像壁画中那样引人注目地具有Corregesque风格，而且对红粉笔的处理也揭示了兰弗兰科早期的艾米利亚风格。赫尔曼·沃斯（Hermann Voss）在哈勒姆的泰勒博物馆（Teyler Museum at Haarlem）发现了两幅Certosa金库第一个整体方案的图纸。
介绍（英）	One of Lanfranco's major commissions in Naples were the frescoes painted in 1637-38 on the rib-vault of the nave in the church of the Certosa di San Martino. In the circular compartments along the center of the vault, Lanfranco painted Christ appearing in a glory of angels, and in the triangular compartments above the windows groups of apostles, prophets, sibyls, and putti. Walter Vitzthum identified in this drawing a scheme for one of these triangular compartments. The broad-based triangular composition takes into consideration the whole area to be painted, while the faint red chalk indications of a narrower triangle suggest the area of the steeply rising vault that would be visible to the viewer standing directly below. Not only are Lanfranco's cloud-seated figures in this drawing, as in the fresco, strikingly Correggesque, but the handling of the red chalk reveals as well Lanfranco's early Emilian traning. Two drawings for a first overall scheme for the Certosa vault were identified by Hermann Voss in the Teyler Museum at Haarlem.