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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)埃斯特宫的两位王子:欧内斯特六世和弗朗西斯二世
品名(英)Two Princes of the House of Este: Ernest VI and Francis II
入馆年号1963年,63.106
策展部门绘画和印刷品Drawings and Prints
创作者Pirro Ligorio【1512 至 1583】【意大利人】
创作年份公元 1513 - 公元 1583
创作地区
分类图画(Drawings)
尺寸8 3/4 × 4 15/16 英寸 (22.3 × 12.6 厘米)
介绍(中)这张纸是皮罗·利戈里奥(Pirro Ligorio)绘制的一系列约四十幅作品的一部分,每幅作品都代表了埃斯特家族的一对杰出成员,他们曾经可能形成了一幅连续的长卷。这些画可能是利戈里奥为乔瓦尼·巴蒂斯塔·皮格纳的《埃斯特历史》绘制的,该书的第一版于1570年在费拉拉出版,没有插图

这部作品试图从罗马的Caius Atticus建立Este家族的完整血统,而Ligorio的年表是基于Pigna提供的家谱树。利戈里奥的绘画无疑被用作1577年前费拉雷斯兄弟巴托洛梅奥(1532-1577)和吉罗拉莫·法奇尼(1547-1614)在费拉拉埃斯特城堡庭院四壁上绘制的代表埃斯特家族200位名人的单色壁画的模型

如果法奇尼兄弟绘制的所有人物都是以皮罗·利戈里奥的图纸为模型的,那么按照两个人物与一个建筑框架的比例,就像所有幸存的图纸一样,利戈里奥一半以上的设计已经消失。其中二十四幅在牛津阿什莫林博物馆,四幅在大英博物馆,四幅画在慕尼黑,一幅在乌菲齐,一幅斯图加特,一幅普林斯顿,至少三幅私人收藏。直到很久以后,利戈里奥的设计才成为书籍插图的范本,其中13幅被用于雕刻安东尼奥·卡里奥拉的文字,"里特拉蒂·德塞尔·米原则",1641年在费拉拉出版。

在法奇尼兄弟创作的100幅壁画中,只有三幅有可见的壁画遗迹。大卫·R·科芬(David R.Coffin,1955)指出,利戈里奥的绘画肯定是对壁画的研究,阿什莫林博物馆的两幅绘画与保存下来的壁画碎片相对应。J.Seznec(1954)指出,Ligorio的绘画最初可能是以连续带或卷轴的形式出现的。
介绍(英)This sheet is part of a series of some forty drawings by Pirro Ligorio, each representing a pair of distinguished members of the House of Este that once may have formed a long continuous scroll. The drawings were probably made by Ligorio to illustrate Giovanni Battista Pigna's “Historia de'principi d'Este”, the first edition of which appeared, without the illustrations, in Ferrara in 1570.

This work attempted to establish the unbroken descent of the Este family from the Roman Caius Atticus, and Ligorio's chronology is based on the genealogical tree supplied by Pigna. Ligorio's drawings were no doubt used as models for the monochrome frescoes representing two hundred notables of the Este family painted by two minor artists, the Ferrarese brothers Bartolomeo (1532-1577) and Girolamo Faccini (1547-1614), on the four walls of the courtyard of the Este castle at Ferrara before 1577.

If all the figures painted by the Faccini brothers were modeled after Pirro Ligorio's drawings, then at the rate of two figures to an architectural framework, as is the case with all the surviving drawings, more than half of Ligorio's designs have disappeared. Twenty-four of the drawings are in the Ashmolean Museum at Oxford, four in the British Museum, four in Munich, one in the Uffizi, one in Stuttgart, one at Princeton, and at least three in private collections. Ligorio's designs served as models for book illustrations only much later, when thirteen of them were used for engravings illustrating a text by Antonio Cariola, “Ritratti de' ser.mi[n] principi d'Este sig.ri[n] di Ferrara”, published in Ferrara in 1641.

Only three of the 100 fresco panels, that the Faccini brothers created, have visible remains of fresco painting. David R. Coffin (1955) states that Ligorio's drawings were definitely studies for the frescoes and that two of the drawings in the Ashmolean Museum correspond to the preserved fragments of the frescoes. J. Seznec (1954) states that the Ligorio drawings may originally have been in the form of a continuous band or scroll.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。