爱情寓言研究 - 美国大都会艺术博物馆展品查阅

品名（中）	爱情寓言研究
品名（英）	Studies for The Allegories of Love
入馆年号	1975年，1975.150
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Paolo Veronese (Paolo Caliari)【1528 至 1588】【意大利人】
创作年份	公元 1570 - 公元 1575
创作地区
分类	图画（Drawings）
尺寸	12 5/8 x 8 3/4英寸 (32 x 22.2厘米)
介绍（中）	这张草图以惊人的速度和令人眼花缭乱的手段经济绘制，证明了委罗内塞作为讲故事者的非凡发明能力。在这里，他探索了各种图案的解决方案，后来他在 1575 年左右绘制的"爱的寓言"的四幅画布中使用了这些图案（伦敦国家美术馆）。委罗内塞可能已经研究了粗略的粘土模型中的人物，正如他从不同角度绘制相同人物的频率所表明的那样。从最后的画作来看，很明显，他从一个场景到另一个场景打乱了人物、姿势和观点，但利用了这张纸中的所有设计元素。在右边，紧挨着"快乐联盟"的书房下方，出现了两张开放式键盘乐器的草图;上面是从正面看到的，下面是从侧面看到的，由一个有翅膀的putto演奏。这位普托音乐家出现在传统上称为"不忠"的画作的左下角。这幅构图在右边的纸张下方的三分之二处快速勾勒出来。在这里，绘画和绘画之间存在许多差异，包括此草图左侧的putto音乐家出现在后视图中。
介绍（英）	Drawn with awesome rapidity and a dazzling economy of means, this sheet of sketches attests to Veronese's extraordinary powers of invention as a storyteller. Here, he explored a variety of solutions to motifs that he later used in four canvases of the "Allegories of Love" painted around 1575 (National Gallery, London). Veronese may have studied the figures from sketchy clay models, as suggested by the frequency with which he drew the same figures from different angles. To judge from the final paintings, it is clear that he shuffled figures, poses, and points of view from scene to scene but made use of all the design elements in this sheet. 　 On the right, immediately below the studies for "Happy Union", appear two sketches of an open keyboard instrument; above, it is seen from the front, below, it is seen from the side, played by a winged putto. This putto musician appears at lower left in the painting traditionally called "Infidelity." This composition is rapidly sketched two-thirds of the way down the sheet at the right. Here there are a number of differences between drawing and painting, including the fact that the putto musician at the left of this sketch appears in back view.