圣母无原罪与四位男性圣人（无原罪概念争议研究） - 美国大都会艺术博物馆展品查阅

品名（中）	圣母无原罪与四位男性圣人（无原罪概念争议研究）
品名（英）	The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
入馆年号	1962年，62.137
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Carlo Maratti【1625 至 1713】【意大利人】
创作年份	公元 1625 - 公元 1713
创作地区
分类	图画（Drawings）
尺寸	14 3/8 x 8 1/8英寸 (36.5 x 20.7厘米)
介绍（中）	马拉蒂为罗马圣玛丽亚·德尔·波波洛的赛博教堂绘制了一幅关于这一神学复杂主题的祭坛画——福音派圣约翰向圣格雷戈里、奥古斯丁和约翰·克里索斯托姆阐述无原罪受孕教义。这项工作于1686年完成，教堂于次年祝圣。博物馆收藏了另一幅以不同技术绘制的同一幅画的构图研究（图63.18）。在这幅相关研究中，福音派约翰站在右边。在这里，他的姿势被颠倒了，他被移到了左边，同时仍然指着圣格雷戈里手中打开的《启示录》。这幅画中记录的构图更接近最终方案，尽管马拉蒂对画中人物的排列进行了进一步的修改。除了为赛博教堂祭坛画进行的两次构图研究外，博物馆还收藏了马拉蒂为圣格雷戈里坐像绘制的一幅画（插图1981.364）。
介绍（英）	Maratti painted an altarpiece of this theologically complex subject- Saint John the Evangelist Expounding the Doctrine of the Immaculate Conception to Saints Gregory, Augustine, and John Chrysostom-for the Cybo Chapel in S. Maria del Popolo in Rome. The work was completed in 1686, and the chapel was consecrated the following year. Another composition study for the same painting, executed in a different technique, is in the Museum's collection (inv. 63.18). In that related study, John the Evangelist stands to the right. Here, his pose has been reversed and he has been shifted to the left, while still gesturing at the open Book of Revelation held by Saint Gregory. The composition recorded in this drawing is closer to the final scheme, although Maratti introduced further revisions to the arrangement of the figures in the painting. In addition to the two composition studies for the Cybo Chapel altarpiece, there is in the Museum's collection a drawing by Maratti for the seated figure of Saint Gregory (inv. 1981.364).