| 介绍（英） | Acquired in 1968 as a work by Mattia Preti (1613-1699), this double-sided drawing was brilliantly recognized as a work by the Neapolitan Baroque painter and drafstman Paolo De Matteis by Jacob Bean in 1979 and - in the same year - by Erich Schleier (see here 'References' for full updated bibliography). Bean connected the study with the "Triumph of Galatea", a painting signed and dated by De Matteis in 1692, now in the Pinacoteca di Brera, Milan but originally displayed in the convent of Santa Giustina, Padua (oil on canvas, 125 x 127 cm, Reg. Cron. 610: on this painting see Linda Martino in 'Civiltà del Seicento a Napoli,' 1984, no. 29). Bean identified on the art market a second autograph study by De Matteis for the same reclining figure of Galatea, drawn in black chalk and brown wash (Christie's London, November 26, 1973, no. 290). The verso of the sheet, drawn entirely in black chalk, hosts the preliminary study for the reclining figure, which was thoroughly explored by De Matteis on the actual recto with brush and brown wash. After an early training in the workshop of Luca Giordano, De Matteis left Naples for Rome in 1683, where he was profoundly influenced by the style and draftmanship of Carlo Maratti. At lower right, the drawing bears an unidetified collector's mark in pen and ink featuring interlaced initials "DL". (F.R., 2014) |