带三个人物的丘陵景观 - 美国大都会艺术博物馆展品查阅

品名（中）	带三个人物的丘陵景观
品名（英）	Hilly Landscape with Three Figures
入馆年号	1969年，69.293
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Aureliano Milani【1675 至 1749】【意大利人】
创作年份	公元 1675 - 公元 1749
创作地区
分类	图画（Drawings）
尺寸	11-1/4 x 16-15/16 英寸 (28.6 x 43 厘米)
介绍（中）	和他的同胞、同时代的多纳托·克雷蒂一样，画家、绘图员和雕刻师奥雷利亚诺·米兰尼也是卡拉奇传统的终结者，卡拉奇传统在博洛尼亚统治了一个多世纪。事实上，作为卡拉奇家族的远亲，米兰尼将卡拉奇家族风格的复兴视为自己的个人艺术使命，为此，他勤奋地研究了卡拉奇家族重要的博洛尼亚壁画周期，并复制了他们的画作。1718年米兰迁至罗马后，他对伟大的博洛尼亚祖先，尤其是安妮巴勒·卡拉奇的崇敬之情有增无减。肌肉发达、精力充沛的人物是他的作品的标志，尽管米兰尼也表现出了对类型场景的天赋和令人惊讶的抒情手法。米兰尼的画作被当代传记作家特别表扬。在这里，卡拉奇的例子也是至关重要的，他试图复兴卡拉奇的绘画风格。在这项精湛的红粉笔研究中，Milani并没有引用Annibale的古典景观，而是引用了博洛尼亚从自然中绘画的传统。右下角的数字对于广阔的乡村树木和山丘来说是次要的。这里记录的特殊地形是博洛尼亚郊外的亚平宁山脉山麓（琳达·沃尔克·西蒙，2008）
介绍（英）	Like his compatriot and exact contemporary Donato Creti the painter, draftsman, and engraver Aureliano Milani comes at the end of the Carracci tradition that held sway in Bologna for over a century. A distant relation of the Carracci, Milani in fact considered the revival of their style his personal artistic mission, to which end he assiduously studied their important Bolognese fresco cycles and made copies of their paintings. His veneration for his great Bolognese forebears, particularly Annibale Carracci, continued unabated after Milani's move to Rome in 1718. Muscular, energetic figures are signatures of his compositions, though Milani also exhibited a flair for genre scenes and a surprisingly lyrical approach to landscape. Milani's drawings were singled out for particular praise by contemporary biographers. Here, too, the example of the Carracci, whose drawing style he sought to revive, was paramount. In this masterful red-chalk study, Milani invokes not the classical landscapes of Annibale, but rather the Bolognese tradition of drawing from nature. The figures at the lower right are of secondary importance to the rustic expanse of trees and hills. The particular topography recorded here are the foothills of the Apennines outside Bologna. (Linda Wolk-Simon, 2008)